Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that workChambers, Robert
General
Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that work
Chambers, Robert
English literature -- Scottish authors
The lady upon whom she called received her in the coldest manner, and,
on an explanation being asked, did not hesitate to mention what she had
heard as the town’s talk that morning, namely, that Mr Cayley professed
himself to be her favoured lover. The unfortunate lady burst into a
passion of tears and lamentations at this intelligence, protested her
innocence a thousand times, and declared herself to be only the victim
of a profligate; but still she saw that she did not produce an entirely
exculpatory effect upon the mind of her friend. She went home in a
state of distress bordering on despair. Her early misfortunes through
the severity of the government; her dependent situation in the houses
of her kinsfolk; her unhappy marriage to a man she could never love;
and, finally, the cruel coldness with which she had been treated by her
former friends in the days of her depression, all recurred upon her
mind, and united with the more awful grief which had now overtaken her,
prepared her mind for the most desperate resolutions.
Early in the afternoon she sent a note to Mr Cayley, requesting, in
the usual terms, the favour of his company. The receipt of her billet
threw him into transports of joy, for he believed that his scheme had
already taken effect, and that she was now prepared to accede to his
proposals. He therefore dressed himself in his best style, and at
the proper hour (he felt too secure of his prey to go sooner) walked
across the street to his appointment. He was shown into a room at the
back of the house, where he had never before been, and where there
was little furniture besides a picture of Mrs Macfarlane, painted by
Sir John Medina, an Italian artist who long practised his trade at
the Scottish capital. This portrait, which he began to gaze upon with
all the enthusiasm of a lover, represented his mistress in a style
and manner strikingly beautiful. The utmost serenity, united with the
utmost innocence, shone in those sweetly noble features. The fair open
brow glowed like the summer sky, calmly and cloudlessly beautiful.
The eyes shone with the lustre of gladness and intelligence, and the
whole expression was resolved into an exquisite and killing smile. The
lover stood in a sort of transport before this image of all he held
dear on earth, as if he were yielding to an idolatrous contemplation of
its extraordinary loveliness, when the door was opened—and behold the
original! Instead of the voluptuous smile which shone on the canvass of
Medina, a Beautiful Fury stood before him—a Hecate not yet grown old.
He started with horror; for not only did she bear in her countenance
the most threatening ensigns of passion, but she carried in her hand
two large pistols, one of which she held extended to him, while with
the other hand she locked the door behind her, at the same time keeping
a watchful and glaring eye upon her victim.
Public-domain text, read in full here on John Shaqi.
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