Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
Sometimes she would go with Roserra to the cloisters of St. Trophime,
where Arles, as he said, seemed to withdraw into its most intimate self.
The oddness of the whole place amused her. Every side was built in a
different century: the north in the ninth, the east in the thirteenth,
the west in the fourteenth, and the south in the sixteenth; and the
builders, century by century, have gathered into this sadly battered
court a little of the curious piety of age after age, working here to
perpetuate, not only the legends of the Church, but the legends that
have their home about Arles. Again and again, among these naïve
sculptures, one sees the local dragon, the man-eating Tarasque who has
given its name to Tarascon. The place is full of monsters, and of
figures tortured into strange dislocations. Adam swings ape-like among
the branches of the apple-tree, biting at the leaves before he reaches
the apple. Flames break out among companies of the damned, and the devil
sits enthroned above his subjects. A gentle Doctor of the Church holding
a book, and bending his head meditatively sideways, was shown to Livia
as King Solomon; with, of course, in the slim saint on the other side of
the pillar, the Queen of Sheba. Broken escutcheons, carved in stone,
commemorate bishops on the walls. There is no order, or division of
time; one seems shut off equally from the present and from any
appreciable moment of the past; shut in with the same vague and
timeless Autumn that has moulded Arles into its own image.
But it was just this, for which Roserra loved Arles above all other
places, that made Livia more and more acutely miserable. Wandering about
the streets which bring one back always to one's starting-point, or
along the boulevards which suggest the beginning of the country, but set
one no further into it, nothing seems to matter very much, for nothing
seems very much to exist. In Livia, as Roserra was gradually finding
out, there was none of that sympathetic submissiveness to things which
meant for him so much of the charm of life. She wanted something
definite to do, somewhere definite to go; her mind took no subtle colour
from things, nor was there any active world within her which could
transmute everything into its own image. She was dependent on an
exterior world, cut to a narrow pattern, and, outside that, nothing had
any meaning for her. He began to wonder if he had made the irremediable
mistake, and, in his preoccupation with that uneasy idea, everything
seemed changed; he, too, began to grow restless.
Public-domain text, read in full here on John Shaqi.
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