Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
When he reached the chapel the service had begun. They were singing
'Jesu, lover of my soul,' and the preacher was standing inside the
communion-rail (he liked to be nearer the people than he could be in the
pulpit), and, as Seaward had the first glimpse of his face, he was
singing as if every word of the hymn meant something wonderful to him.
His eyes were wide open and shining; he held the closed hymn-book in
both hands, rigid in front of him, and the people seemed already to have
begun to feel that magnetic influence which he rarely failed to
establish between himself and his hearers. After the hymn he stretched
out his hand with a sudden gesture, and the people stood motionless for
a moment and then gradually sank down on their knees as he began to pray
rapidly. He seemed to be talking with God as if God were there in the
midst of them, and as he passed from supplication into a kind of vivid
statement, meant for the people rather than for the ear of God, there
seemed to be a dialogue going on, as if the answers which he gave were
hardly his own answers. He ended abruptly, and, without the harmonium,
started an almost incoherent marching-song which was well known at all
revivals. 'Hallelujah, send the glory!' he sang, and the voices of the
people rose louder and louder and feet began to beat time to the heavy
swing of the tune. Then he read the lesson and, without a pause, gave
out the text, and began to speak.
Seaward Lackland had stepped into a pew near the door, and in the
furthest corner of the chapel. Something in the preacher's voice had
thrilled him, and he could not take his eyes off the long lean face,
with its eyes like two burning coals, as it seemed to him, under a high
receding forehead, from which the longish hair was brushed straight
back. A huge moustache seemed to eat up the whole lower part of the
face; and, as the man spoke, you saw nothing but the eyes and the
quivering moustache. He began quietly, but, from the first, in the
manner of one who has some all-important, and perhaps fatal, secret to
tell. An uneasiness spread gradually through the chapel, which
increased as he went on, with more urgency. People shifted in their
seats, looked sideways at their neighbours, as if they feared to have
betrayed themselves. Seaward felt himself turning hot and cold, for no
reason that he could think of, and he took out his handkerchief and
wiped his forehead. Near him he saw a young woman begin to cry, quite
quietly, and a man not far off drew long breaths, that he could hear,
almost like groans. The preacher's voice sounded like pathetic music,
and he heard the tones rather than the words, tones which seemed to
plead with him like music, asking something of him, as music did; and he
wanted to respond; and he realised that it was his sin that was keeping
him back from somehow completing the harmony, and he heard the
preacher's voice talking with his soul, as if no one were there but they
two. And God? God, perhaps.
Public-domain text, read in full here on John Shaqi.
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