Some of his accounts show curious lapses. In one experiment an accordion
is placed in a cage under the table and Mr. Home puts his hand into the
top of the cage to do psychic things with the instrument. The
temperature of the room is carefully recorded (that doesn't matter, but
imparts a scientific flavour to the observations) although we are not
told why the experiment was done under the table instead of in a more
convenient position on top of it, though 'my assistant went under the
table, and reported that the accordion was expanding and contracting,'
and 'Dr. A. B. now looked under the table and said that Mr. Home's hand
appeared quite still.' Sir William would never have made such an
omission if he had been using the same reasoning powers that he used in
his scientific descriptions.
It is noticeable that the chief 'scientific' supporters of spiritualism
are eminent in physical science; they have been trained in a world where
honesty is assumed to be a quality of all workers. A laboratory
assistant who played a trick upon one of them would find his career at
an end, and ordinary cunning is foreign to them. When they enter upon
the world of Dissociates, where deceit masquerades under the disguise of
transparent honesty, these eminent men are but as babes--country cousins
in the hands of confidence-trick men--and their opinions are of less
value than those of a smart schoolboy.
Spirit photographs are useful to people who desire to show material
evidence for their beliefs, and for more than fifty years the desire has
been met by periodical outbreaks of this particular manifestation, with
occasional exposures of fraud. The spirit effects can be produced by
double exposure of one plate or by printing on one paper from two
negatives, so that the declaration that a photograph is that of a spirit
carries no proof with it and one must examine the circumstances under
which the photograph is obtained.
A friend of mine, with a decided tendency to belief in the reality of
spirit photography, was good enough to show me photographs of himself
with spirit forms beside him, and undertook to repeat his visit to the
photographer--who is accepted as genuine by leading spiritualists and
appears to be the chief exponent in the art of spirit photography in
this country--and take with him plates supplied by myself.
The photographer allows you to bring your own plates, goes with you into
the dark-room, and allows you to initial the plate before it is put in
the frame (whether it is your plate which you mark depends upon the will
and dexterity of the artist, aided by the darkness and a preliminary
hymn and prayer which should remove all doubts from your mind). Then the
plate is put in the camera and, whilst attendant ladies pass into a
trance, an exposure is made with yourself as the sitter. Next the plate
is developed under your eyes and perhaps a spirit form is revealed.
Public-domain text, read in full here on John Shaqi.
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