When we are seated, the _malee_ or gardener advances with a wooden
tray filled with sand, in which are stuck heads of all the finest
flowers the garden can afford, placed in the most symmetrical
patterns, and really a pretty tasteful piece of workmanship. Two or
three old Brahmins, principal among whom is 'Hureehar Jha,' a wicked
old scoundrel, now advance, bearing gay garlands of flowers, muttering
a strange gibberish in Sanskrit, supposed to be a blessing, but which
might be a curse for all we understood of it, and decking our wrists
and necks with these strings of flowers. For this service they get a
small gratuity. The factory omlah headed by the dignified, portly
_gornasta_ or confidential adviser, dressed in snowy turbans and
spotless white, now come forward. A large brass tray stands on the
table in front of you. They each present a _salamee_ or _nuzzur_, that
is, a tribute or present, which you touch, and it is then deposited
with a rattling jingle on the brass plate. The head men of villages,
putwarries, and wealthy tenants, give two, three, and sometimes even
four rupees. Every tenant of respectability thinks it incumbent on him
to give something. Every man as he comes up makes a low salaam,
deposits his _salamee_, his name is written down, and he retires. The
putwarries present two rupees each, shouting out their names, and the
names of their villages. Afterwards a small assessment is levied on
the villagers, of a 'pice' or two 'pice' each, about a halfpenny of
our money, and which recoups the putwarree for his outlay.
This has nothing to do with the legitimate revenue of the factory. It
never appears in the books. It is quite a voluntary offering, and I
have never seen it in any other district. In the meantime the
_Raj-bhats_, a wandering class of hereditary minstrels or bards, are
singing your praises and those of your ancestors in ear-splitting
strains. Some of them have really good voices, all possess the gift of
improvisation, and are quick to seize on the salient points of the
scene before them, and weave them into their song, sometimes in a very
ingenious and humorous manner. They are often employed by rich
natives, to while away a long night with one of their, treasured
rhythmical tales or songs. One or two are kept in the retinue of every
Rajah or noble, and they possess a mine of legendary information,
which would be invaluable to the collector of folk-lore and
antiquarian literature.
Public-domain text, read in full here on John Shaqi.
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