Long before they had finished his pictures had arrived from London, and several pieces of furniture from Brighton. The ideas of this young man were now in full revolt against oriental draperies and things from Japan. The furniture was, therefore, to consist of large cane sofas with pillows covered with a yellow chintz pattern which pleased him much. The selection of a carpet was a matter of great moment. He received with scornful smiles his upholsterer's suggestions of Persian rugs. Turkey, Smyrna, and Axminster were proposed and rejected, he even thought of an Aubusson--no one knew anything about Aubusson at Southwick, and the vivid blues and yellows and symmetrical design would have at least the merit of disturbing if not of wrecking the artistic opinions of his friends. He discovered one of these carpets in a back street in Brighton, and with some cleaning and mending he felt sure it could be made to look quite well. But no, if you have an Aubusson carpet you must have Louis XIV. furniture in the room, and Louis XIV. in Southwick would be too absurd. Clearly the Aubusson scheme must be abandoned--he would have a rich grey carpet, soft and woolly, and there should be a round table covered with a dark blue cloth, set off with a yellow margin, and the chairs drawn about the table should be covered with dark blue and painted yellow. A grand piano was indispensable in Frank's surroundings, both for its appearance in the studio and the relaxation it afforded in the various interludes. Several journeys to London were made before the lamps to be used were determined on (a modern design was essential), and the brass fittings to hang candles from the rafters required still more delicate and cautious consideration; at last it was decided to have none.