England -- Fiction; Fathers and daughters -- Fiction; Sisters -- Fiction
“You mean to say there are men who look in the glass with fear?”
“Of course, after five-and-thirty the glass whispers as awful truths to
the man as to the woman--worse, for woman's youth is longer than man's.
The contrary is the received opinion, but, like all popular opinions,
it is wrong; a woman is frequently loved after forty, a man never. I was
saying that a man often thinks he is getting old because the chorus
girl took an early opportunity of speaking of rings, because the lady
of fashion begged of the old gentleman who had taken up his hat to go
to stay a little while longer, because the chamber-maid did not look
lusciously round the corner when he passed her in the passage. He looks
in the glass and imagines all kinds of monstrous changes in his person.
His fears have no foundation in fact--or should I say in the flesh? A
year after the duchess makes overtures, the chorus girl threatens to
throw up her engagement for him, and the chambermaid pesters him with
unnecessary questions concerning baths and towels. These facts tend
to show, indeed I think they prove, that love is a magnetism, which
sometimes we possess in almost irresistible strength, and which
sometimes fades away into powerless and apparent extinction.”
“Then you think that good looks have nothing to do with the faculty of
making oneself beloved?” said Fletcher.
“The phenomenon of love has hitherto eluded our most eager
investigation; when we have traced each desire to its source, and
classified--”
“We women will have ceased to take any interest in the matter. What a
humbug you are, Mr. Harding; one never knows when you are serious. But
what has all this to do with that poor boy who has gone off with his
barmaid?”
“This: he is unquestionably good-looking, but I don't think he possesses
at all the magnetism, the power--call it what you will--that I have been
speaking of. He will never influence either men or women, he will never
make friends; that is to say, he will never make use of his friends. He
will, I should think, always remain a little outside of success. It will
never quite come to him; he will be one of those muddled, dissatisfied
creatures who rail against luck and bad treatment. I cannot see him
really successful in anything; yes I can, though, I believe he would
make an excellent husband. I have spoken a great deal to him. He has
told me a lot about himself, and I can see that he asks and desires
nothing but leave to devote himself to a woman, to pander to her
caprices. All that violent exterior will wear off, and he will yield
to and love to be led by a woman. He writes a little, and he paints. I
don't know if he has any talent; but he never will be able to work until
he is obliged to work for a woman.”
“Then you think he will marry that barmaid?”
“Most probably. He will struggle against it; but unless chance
intervenes--she may die, she may run away with some one to-morrow, for
she does not care for him--he will be sucked into the gulf.”
Public-domain text, read in full here on John Shaqi.
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