England -- Fiction; Fathers and daughters -- Fiction; Sisters -- Fiction
“I suppose you are not very particular where you paint,” said Maggie
reflectively. “You don't mind appearances, I suppose? I wonder if you
could manage to fit up a farm building.”
“There is the famous barn where Charles the First hid himself, I don't
suppose the authorities would allow me to turn that into a studio.”
“No, probably not; but I think you might find a house that would do.”
“What nonsense, Maggie,” said Sally, who began to grow jealous of her
sister.
“Why is it nonsense? I see no reason why Frank shouldn't come to some
arrangement with the smith, and turn his house into a studio.”
“Which is the smith's house? I'll tell you in a moment if it could be
turned into a studio.”
“That house standing quite by itself in the corner of the green.”
“That tall narrow house with the bit of broken wall and the elder
bushes?”
“Yes.”
“I daresay I could rig up a very nice studio out of that place, indeed
it looks quite picturesque amid its elder bushes. There is the stile,
and there is the cornfield. But I couldn't live there.”
“No, you would live at Mrs. Heald's, and you could walk over every
morning to the studio.”
“Yes, I could do that. I prefer to live with my work. There is nothing
like walking from the breakfast table across the room to the easel.”
“Of course you can find fault with everything; nothing is perfect.”
“There goes the train!” cried Sally. “No use in running now, you've
missed it.”
“How very provoking; the next isn't till half-past seven--just an hour
to wait.”
“Well,” said Maggie, “if you have missed the train we may as well go at
once and ask Mrs. Heald if she has let her rooms.”
They walked towards a block of cottages--at one end the “Cricketer's
Arms,” at the other the grocery business; and the cottage that joined
the grocery business was remarkable for a bit of green paling and wooden
balcony, now covered with Virginia creeper. Frank thought at once
of new-laid eggs, and the sunlight glancing through a great mass of
greenery, and he resolved if a sacrifice were necessary to live at
Southwick, he would put his picture aside and begin his novel. The
people in the house pleased him, and he ran on in his way thinking how
English and trustworthy they seemed, liking the green parrot that rubbed
its head affectionately against the grey ringlets of a very ladylike old
person; and Mrs. Heald, brisk as a bee, notwithstanding her lame leg,
who led the way up the ladder-like cottage staircase.
“How nice and clean everything is; books and engravings along the
passages. How unlike Ireland!”
But the sitting-room was full of horsehair sofas and chairs. These
displeased Frank, but some handsome china--an entire tea service in
Crown Derby--reconciled him to the room. In the bedroom they found
a huge four-poster of old time, with a lengthy bolster and imposing
pillows, and they were shown into another and a similar room. One looked
out on the green, the other on the fields that lay between the green and
the Manor House.
Public-domain text, read in full here on John Shaqi.
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