Spring in a Shropshire AbbeyGaskell, Catherine Henrietta Milnes, Lady
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Spring in a Shropshire Abbey
Gaskell, Catherine Henrietta Milnes, Lady
Shropshire (England) -- Description and travel; Wenlock Abby (England)
I felt overwhelmed at this proposal, for I realized that poor Auguste
was giving me what he prized most in the world. Perhaps the great
Napoleon had supped off grandpapa's _entrées_, or Josephine had
tasted an ice or some _brioche_ made by grandpapa's hands. These
recipes have for Auguste the mysticism of the lore of Merlin. They
are, in his words, _magnifiques_, _superbes_, and the last words of
culinary art. "Mes secrets," he generally calls them. Grand'maman
bound them in white vellum, and the book has been handed down as a
priceless heirloom in Auguste's family.
I felt I could hardly thank my cook sufficiently for his kind
thought. There Auguste stood in irreproachable white linen cap and
coat. No prince could have believed that he could offer a more
splendid gift, as he repeated, with a theatrical wave of his hand,
"Madame peut tout copier." And then added, with an indulgent smile,
"Madame est malade, cela lui fera un plaisir énorme."
I rose to the occasion and said, as "bonne ménagère." I found it
difficult to express my gratitude.
At this Auguste retired a step, and then, with a courtly bow,
exclaimed grandly, his eye upon my embroidery which lay near on a
chair, "Il faut que les artistes se consolent dans les jours de
tristesse," and so saying, vanished to reign over his own kingdom.
A little later Burbidge came in to see me. In his hand he held a
bunch of roses, neatly tied with green matting, a new fad of mine.
Amongst the roses that he had brought me, I found a lovely Caroline
Testout, of great size and beauty, of a delicate pink with a glow of
richer colour in the centre. Then there was an open bud of charming
Thérèse Levet, and a full blown splendour of Archiduchesse Marie
Immaculata, with its curious red-brick tints; and two or three
blossoms of the dear old-fashioned Prince Camille de Rohan of a deep,
brownish crimson hue.
"Here's a few on 'em, just a sprinklin'," said Burbidge. "But oh,
'tis a pity as yer can't see 'em growin'! The sop of rain has brought
'em out, like the sunshine brings out chickens from under a hen's
wing. They be popping and peering in the garden, as if they had the
Lord Almighty to look at 'em Hisself."
"Perhaps He is," I said with a smile.
To this Burbidge didn't give direct assent, but like a true
Shropshire man, he declared that it was his belief, if the Lord was
on earth, it might pleasure Him to see the place, for the whole of
the red-walled garden was a garland of flowers. "There be irises, and
roses, and peonies; and it be hard to tell the colours. There be all
sorts and all shades, most like a glass window in the Abbey Church at
Shrewsbury." And Burbidge added, with that true sense of poetry that
belongs to the peasant, that "the Wrekin doves they be cooing and
fluttering round the firs, same as in a real poem."
[Sidenote: A POSY OF ROSES]
Public-domain text, read in full here on John Shaqi.
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