Squire Arden; volume 1 of 3Oliphant, Mrs. (Margaret)
General
Squire Arden; volume 1 of 3
Oliphant, Mrs. (Margaret)
England -- Fiction; Families -- Fiction; Inheritance and succession -- Fiction; Landowners -- Fiction
“Do you, Clare; do you, indeed, Clare?” he said, and went to her side,
and kissed her with brotherly tenderness. “God do so to me and more
also,” he said to himself, if I ever forget her good and her happiness;
or, at least, if he did not say the words, such was the sentiment that
passed through his mind. He was so much moved that he felt able to ask a
question he had been hesitating over all the morning. “Clare,” he said
softly, bending over her, and smoothing her dark hair. His voice had a
certain sound of supplication in it which struck her strangely. She
thought he was about to ask something hard to do--perhaps a
renunciation, perhaps a sacrifice. “Clare, can you tell me anything
about our mother? Do you know?”
“About mamma?” said Clare, with a sense of disappointment. “Edgar, you
frighten me so; I thought you were going to ask me something that was
very hard. About mamma? Of course I will tell you all I know.”
“And there is a portrait--you said there was a portrait--I should like
to see that too.”
“Yes, Edgar, I will run and get it. Oh, I wonder if you would have been
very like her--if she had lived? I sometimes think it would have been so
much better for us all.”
“Do you think so?” said Edgar, with a sadness which he could not
control. Would it have been better? But, at all events, Clare knew of
nothing evil that concerned their mother. He walked about the room
slowly while she went to seek the portrait, and finally paused at the
great window, and gazed out. It had the same view over the park which he
had looked at last night under the moon-light. Now, in the morning, with
a certain ache of strange doubtfulness, he looked at it again. The
feeling in his mind was that it might all dissolve as he looked, and
melt away, and leave no sign--that, and the house, and the room he stood
in, with all their appearance of weight and reality. Such things had
been; at least, surely that was what Dr. Somers’ story meant about those
Agostini. What was it? “Something about the mother.” A mist of
bewilderment had fallen over him, and he could not tell.
Clare’s entrance with a little case in her hand roused him. She came up,
and put her arm within his where he stood, and, thus hanging on him,
opened the case, and showed him the miniature, which formed the clasp of
a bracelet. It was the portrait of a face so young that it startled him.
He had been thinking and talking of his mother, which meant something
almost venerable, and this was the face of a girl younger, ever so much
younger, than himself. “Are you sure this is her?” he said in a
whisper, taking it out of his sister’s hand. “Of course it is her; who
else could it be?” she answered, in the same tone. “She is so young,”
said Edgar, apologetically. He was quite startled by that youthfulness.
He held it up to the light, and looked at it with wondering admiration.
“This child! Could she be my mother, your mother, Clare?”
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