Nature (Creation) is the materialized Will-Force of God. The Will-Force of God is a reflection of God Himself—the objectified phases of the semblance of manifoldness of the Absolute One. God is the husband, and the Energy of His Will, Nature, is His wife. God is the Lover and Nature is His loving Lady-love. By His All-pervading Essence, the only Support and Sustenance of Nature, He clasps His Lady-love to His bosom and dances with her to the intricate steps of the music of her Laws. This is His Rash Dance in the aggregate, the Rash Dance that is being performed every moment within Nature though hidden from our outlooking physical vision. What is true of the great Universe is true also of its miniature, man. Within our heart of hearts is the forest of Brindāban in which the microscopic blue river of love, Jumnā, flows, lapping with thrills of joy the bank of the bowery lawn where Krishna—our Soul—with His Gopis—our ensouled mental aspirations—is performing His ever-favorite, never-ending Rash Dance. And we are unconscious of it all, because our mind's outer ken is employed outside of us with outer objects. If we can withdraw the mind's vision from outwards and direct it into the depth of our heart then will belief come in the Rash Dance of Krishna with its practical realization. We are then of Braja and each of us, of the enlightened inner eye, a dancing Gopi—male or female whatever we may be externally it matters not. We are all Gopis, human male or human female, we are all spiritually feminine, for Krishna alone is the One Male and we all, particles of. Nature, are all female. We are all the lady-loves, the brides and wives of our One Husband, Lover and Beloved—Krishna. In the working out of the ever-beneficial laws of Inner Nature—the laws that throb for the weal of mankind—this innermost performance of Nature's constant Rash Dance with her Lord is reflected for a time upon her outer surface to fill outer Nature and mankind with the ecstasy of its supremest spirituality, the blessings of Absolute Love. The twelve chief boy-companions of Krishna in Brindāban came with Him from Glory where they are His constant companions, while the other cow-boys were the incarnations of the gods and highly spiritual saints. The Kadamba-tree, under which Krishna usually played His flute, is a representation in physical form of the Tree of Life and the flute's dear strains the music of the soul. As Krishna and His Companions are constant, so are His Leelās (acts) constant. They can be seen now by any devotee possessed of the requisite vision. With these words I humbly introduce the reader to the Nectar-Career of Krishna on earth embodied in the following pages. Let every reader read it with an open mind and the Nectar is sure to flow into his soul through that mind. SREE KRISHNA THE LORD OF LOVE PART II. SREE KRISHNA THE LORD OF LOVE BY Bābā Premānand Bharati Published by The Krishna Samāj NEW YORK Copyright 1904 BY Bābā Premānand Bharati To