Alabama -- History -- Civil War, 1861-1865 -- Fiction; Domestic fiction; War stories
"I shall write and invite him to come early and take tea with us. Now,
Miss Earl, pardon my candor, I should like to know what you intend to
wear? You know that Mr. Manning is quite lionized here, and you will
have to face a terrific battery of eyes and lorgnettes; for everybody
will stretch his or her neck to find out, first, who you are, and
secondly, how you are dressed. Now I think I understand rather better
than you do what is comme il faut in these matters and I hope you will
allow me to dictate on this occasion. Moreover, our distinguished
escort is extremely fastidious concerning ladies' toilettes."
"Here are my keys, Mrs. Andrews; examine my wardrobe and select what
you consider appropriate for to-night."
"On condition that you permit me to supply any deficiencies which I may
discover? Come to my room at six o'clock, and let Victorine dress your
hair. Let me see, I expect a la Grec will best suit your head and face."
Edna turned to her pupils and their books, but all day the flowers in
the vase on the table prattled of days gone by; of purple sunsets
streaming through golden starred acacia boughs; of long, languid,
luxurious Southern afternoons dying slowly on beds of heliotrope and
jasmine, spicy geraniums and gorgeous pelargoniums; of dewy, delicious
summer mornings, for ever and ever past, when standing beside a
quivering snowbank of Lamarque roses, she had watched Tamerlane and his
gloomy rider go down the shadowy avenue of elms.
The monotonous hum of the children's voices seemed thin and strange and
far, far off, jarring the sweet bouquet babble; and still as the hours
passed, and the winter day waned, the flower Fugue swelled on and on,
through the cold and dreary chambers of her heart; now rising stormy
and passionate, like a battle-blast, from the deep orange trumpet of a
bignonia; and now whispering and sobbing and pleading, from the pearly
white lips of hallowed oxalis.
When she sat that night in Mr. Manning's box at the Academy of Music,
the editor raised his opera-glass, swept the crowded house, scanning
the lovely, beaming faces wreathed with smiles, and then his grave,
piercing glance came back and dwelt on the countenance at his side. The
cherry silk lining and puffing on her opera-cloak threw a delicate
stain of color over her exquisitely moulded cheeks, and in the braid of
black hair which rested like a coronal on her polished brow, burned a
scarlet anemone. Her long lashes drooped as she looked down at the
bouquet between her fingers, and listening to the Fugue which memory
played on the petals, she sighed involuntarily.
"Miss Earl, is this your first night at the opera?"
"No, sir; I was here once before with Mr. Andrews and his children."
"I judge from your writings that you are particularly fond of music."
"Yes, sir; I think few persons love it better than I do."
"What style do you prefer?"
"Sacred music--oratorios rather than operas."
Public-domain text, read in full here on John Shaqi.
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