Alabama -- History -- Civil War, 1861-1865 -- Fiction; Domestic fiction; War stories
Age was bending his body toward the earth with which it was soon to
mingle; the ripe and perfect wheat nodded lower and lower day by day,
as the Angel of the Sickle delayed; but his noble face wore that
blessed and marvellous calm, that unearthly peace which generally comes
some hours after death, when all traces of temporal passions and woes
are lost in eternity's repose.
A low, wailing symphony throbbed through the church, where the organist
was practising; and then out of the windows, and far away on the
evening air, rolled the solemn waves of that matchlessly mournful
Requiem which, under prophetic shadows, Mozart began on earth and
finished, perhaps in heaven, on one of those golden harps whose
apocalyptic ringing smote St. John's eager ears among the lonely rocks
of Aegean-girdled Patmos. The sun had paused as if to listen on the
wooded crest of a distant hill, but as the Requiem ended and the organ
sobbed itself to rest, he gathered up his burning rays and disappeared;
and the spotted butterflies, like "winged tulips," flitted silently
away, and the evening breeze bowed the large yellow primroses, and
fluttered the phlox; the red nasturtiums that climbed up at the foot of
the slab shuddered and shook their blood-colored banners over the
polished marble. A holy hush fell upon all things save a towering
poplar that leaned against the church, and rustled its leaves
ceaselessly, and shivered and turned white, as tradition avers it has
done since that day, when Christ staggered along the Via Dolorosa
bearing his cross, carved out of poplar wood.
Leaning with his hands folded on the handle of the weeding hoe, his
gray beard sweeping over his bosom, his bare, silvered head bowed, and
his mild, peaceful blue eyes resting on his son's tomb, Mr. Hammond
stood listening to the music; and when the strains ceased, his thoughts
travelled onward and upward till they crossed the sea of crystal before
the Throne, and in imagination he heard the song of the four and twenty
elders.
From this brief reverie some slight sound aroused him, and lifting his
eyes, he saw a man clad in white linen garments, wearing oxalis
clusters in his coat, standing on the opposite side of the monumental
slab.
"St. Elmo! my poor, suffering wanderer! Oh, St. Elmo! come to me once
more before I die!"
The old man's voice was husky, and his arms trembled as he stretched
them across the grave that intervened.
Mr. Murray looked into the tender, tearful, pleading countenance, and
the sorrow that seized his own, making his features writhe, beggars
language. He instinctively put out his arms, then drew them back, and
hid his face in his hands; saying in low, broken, almost inaudible
tones:
"I am too unworthy. Dripping with the blood of your children, I dare
not touch you."
The pastor tottered around the tomb, and stood at Mr. Murray's side,
and the next moment the old man's arms were clasped around the tall
form, and his white hair fell on his pupil's shoulder.
Public-domain text, read in full here on John Shaqi.
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