Great Britain -- History -- Civil War, 1642-1649 -- Fiction
As she gazed on the signs of conflicting emotion in Dorothy's changes of
colour and expression, Amanda came quickly enough to the conclusion that
nothing would account for them but the assumption that the sly
puritanical minx was in love with the handsome young roundhead. How else
could the deathly pallor of her countenance while she fixed her eyes
wide and unmoving upon his face, and the flush that ever and anon swept
its red shadow over the pallor as she cast them on the ground at some
brave word from the lips of the canting psalm-singer, be in the least
intelligible? Then came the difficulty: how in that case was her share
in his capture to be explained? But here Amanda felt herself in her own
province, and before the marquis rose, had constructed a very clever
theory, in which exercise of ingenuity, however, unluckily for its
truth, she had taken for granted that Dorothy's nature corresponded to
her own, and reasoned freely from the character of the one to the
conduct of the other. This was her theory: Dorothy had expected Richard,
and contrived his admission. His presence betrayed by the mastiff, and
his departure challenged by the warder, she had flown instantly to the
alarm-bell, to screen herself in any case, and to secure the chance, if
he should be taken, of liberating him without suspicion under cover of
the credit of his capture. The theory was a bold one, but then it
accounted for all the points--amongst the rest, how he had got the
password and why he would not tell--and was indeed in the fineness of
its invention equally worthy of both the heart and the intellect of the
theorist.
Nor were mistress Fuller's resolves behind her conclusions in merit: of
all times since first she had learned to mistrust her, this night must
Dorothy be watched; and it was with a gush of exultation over her own
acuteness that she saw her follow the men who bore Richard from the
hall.
Public-domain text, read in full here on John Shaqi.
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