It was some time after Dorothy had twice in one day met him darkling, before she saw him in the light, and was able to peruse his countenance, which she did carefully, with the mingled instinct and insight of curious and thoughtful girlhood. He had come home from a journey, changed his clothes, and had some food; and now he appeared in his wife's parlour--to sun himself a little, he said. When he entered, Dorothy, who was seated at her mistress's embroidery frame, while she was herself busy mending some Flanders lace, rose to leave the room. But he prayed her to be seated, saying gayly, 'I would have you see, cousin, that I am no beast of prey that loves the darkness. I can endure the daylight. Come, my lady, have you nothing to amuse your soldier with? No good news to tell him? How is my little Molly?' During the conjugal talk that followed, his cousin had good opportunity of making her observations. First she saw a fair, well-proportioned forehead, with eyes whose remarkable clearness looked as if it owed itself to the mingling of manly confidence with feminine trustfulness. They were dark, not very large, but rather prominent, and full of light. His nose was a little aquiline, and perfectly formed. A soft obedient moustache, brushed thoroughly aside, revealed right generous lips, about which hovered a certain sweetness ever ready to break into the blossom of a smile. That and a small tuft below was all the hair he wore upon his face. Rare conjunction, the whole of the countenance was remarkable both for symmetry and expression--the latter mainly a bright intelligence; and if, strangely enough, the predominant sweetness and delicacy at first suggested genius unsupported by practical faculty, there was a plentifulness and strength in the chin which helped to correct the suggestion, and with the brightness and prominence of the eyes and the radiance of the whole, to give a brave, almost bold look to a face which could hardly fail to remind those who knew them of the lovely verses of Matthew Raydon, describing that of sir Philip Sidney: A sweet attractive kinde of grace, A full assurance given by lookes, Continuall comfort in a face, The lineaments of Gospell-bookes; I trowe that countenance cannot lie Whose thoughts are legible in the eie. Notwithstanding the disadvantages of the fashion, in the mechanical pursuits to which he had hitherto devoted his life, he wore, like Milton's Adam, his wavy hair down to his shoulders. In his youth, it had been thick and curling; now it was thinner and straighter, yet curled where it lay. His hands were small, with the taper fingers that indicate the artist, while his thumb was that of the artizan, square at the tip, with the first joint curved a good deal back. That they were hard and something discoloured was not for Dorothy to wonder at, when she remembered what she had both heard and seen of his occupations.