Before six the party had re-assembled, including Mr. St. John. They
were in the yellow drawing-room, a very fine apartment, kept chiefly
for show and ceremony, and one that nobody ever felt at home in. The
windows overlooked the approach to the château; every one was gazing
for the first appearance of the momentarily expected travellers,
Adeline growing more pale, more agitated with every minute; so pale,
so agitated, that she could not escape notice.
"See, see!" exclaimed old Madame de Beaufoy, hobbling to the window.
"Is not that the carriage?--far off, there;--at the turn by the
windmill."
It was the carriage: the aged eyes were the quickest, after all: and
it came speedily on. Two dusty-looking figures were in it, for they
sat with it open. Madame de Castella and her sister hastened to the
hall to receive the travellers, and the old lady thrust her head out
at one of the windows. Adeline had risen in terrible agitation, and
was leaning on the back of a chair. Her very lips were white. Mr. St.
John advanced and bent over her.
"My dearest love," he whispered, "you are ill, and I dare not protect
you as I could wish. Be under no apprehension of any unwelcome scene
with him: sooner than suffer it I will declare all."
He took up a flacon of eau de Cologne, and saturated her handkerchief.
Mary Carr was looking on. She could not hear his words; but she marked
his low, earnest voice, his looks, his actions, she saw how it was
from that hour. "There will be tribulation in the house, ere this
shall be over!" was her mental exclamation. But she little anticipated
the deep tribulation that was indeed to come.
Public-domain text, read in full here on John Shaqi.
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