"Her cousin. She's the daughter of the Dean of Westerbury: Fred St.
John's native place, you know. Sarah is the daughter of the dean's
brother, General Beauclerc. Her mother's dead, the Lady Sarah; and
since then she has lived with the dean. In point of family it would be
a suitable match; and I dare say in point of fortune."
"And in point of love?"
There was a peculiar sound in the hesitation, a tremor which struck on
Rose's ear. She turned her face full on Adeline's.
"I believe with all my heart, from what I've heard, that there _was_
love between them," answered Rose. "Perhaps _is_. Adeline, I don't say
this in ill-nature, but because it may be good for you to know it. I
am careless and random in general, but I _can_ be serious; and I am
speaking seriously now. He is a gay-mannered man, you know, a general
admirer; those attractive men usually are so; but I have little doubt
that his love was given to Sarah Beauclerc."
Rose went into the room with the last sentence. She had really spoken
from a good motive. Believing that Adeline was getting to like
Frederick St. John more than was good for her, consistently with her
engagement to the French baron, a word in season might act as a
warning. Little did Rose suspect how far things had gone between them.
An hour passed. All save Adeline were gathered in the lighted room.
Some were playing chess, some écarté, some were telling Father Marc,
who had dropped in, of the young Englishman's sudden departure for
England and its cause. Rose was at the piano, singing English songs in
a subdued voice. Never was there a sweeter voice than hers: and old
Madame de Beaufoy could have listened always to the bygone songs of
her native land.
Adeline had not stirred from the terrace; she was leaning still on its
balustrades, gazing forth apparently into the night. But that Madame
de Castella did not observe her absence, she had been called in long
ago, out of the night air.
"Oh, beware, my lord, of jealousy!
It is a green-eyed monster, which doth make
The food it feeds on."
Public-domain text, read in full here on John Shaqi.
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