"Isaac. You are as curious as ever, Georgina. But now, can you tell me
_why_ I am sent for; for that is a puzzle to me. I fear----"
He stopped suddenly. Miss Beauclerc raised her eyes to his face. There
was a shade of uneasiness in his tones, as if he were ill at ease.
"I know nothing about it," she answered, earnestly. "I did not even
know you were sent for. I would tell you if I did know."
He nodded an acknowledgment, courteously enough, but very
abstractedly, as if he thought little of Georgina or of anything she
could tell him, and walked on alone, never once looking back. She
leaned her forehead against a tree, and gazed after him; her wild love
shining forth from her yearning blue eyes; her whole heart longing to
call after him ere he should be quite beyond view, and the day's
sunshine have gone out in darkness: "Oh, stay with me, my love! stay
with me!"
He went on to the house, straight into the presence of Isaac, who was
then in his own room, and learnt why he had been summoned. That his
embarrassments would, of necessity, become known to his brother some
time, he had entertained no shadow of doubt; but he was one of those
high-bred, honourable men who look upon debt as little less than
crime; and now that the moment had come, it brought him terrible
mortification.
"I have no excuse to offer," he said. "But do not think worse of me
than you can help. Not one shilling of it has gone in dishonour."
That he spoke the truth Isaac knew, and his heart went out to him--him
whom he had ever loved as a son.
"I will set you straight, only be more cautious in future," he said,
never speaking, in his generosity, one word of reproach. "And,
Frederick, this had better be kept from your mother. It would pain
her, and perhaps alarm Anne. Don't you think it is time you married?
There's nothing to wait for. I'm sure---- I fancy at least--that Anne
is ready."
And Frederick St. John, bound by a promise to Lady Anne, did not speak
out openly, as he might have done, but evaded the question.
On the following Thursday, in the long, low room at the Rectory, its
windows opening to the lawn, sat Sarah Beauclerc, practising a piece
of difficult music. She and her cousin were contrasts. The one, cold,
calm, calculating, did things by rule; the other did all by impulse,
and could not be cold if she tried. Sarah was the least in the world
artificial; Georgina was too natural.
Mrs. Beauclerc, thin and discontented-looking as of yore, the red tip
of her nose growing redder year by year, sat at the French window of
the room, talking to Georgina. Georgina, in a clear pink muslin dress,
with open lace sleeves on her pretty wrists, stood just outside the
window. She was partly listening to her mother,--as much as she ever
did listen to Mrs. Beauclerc's grumblings,--partly humming to herself
the piece that Sarah was playing, as her eyes wandered wistfully, far
far out in the distance, seeking one who did not come.
Public-domain text, read in full here on John Shaqi.
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