Black humor; Country life -- Fiction; Historical fiction; Scotland -- Fiction
"If ye thought _that_, Doctor Kickherben," said the widow, alarmed at
the idea of losing caste, "I wad e'en gang to the show, like other folk;
sinful and shameful if it be, let them that make the sin bear the shame.
But then I will put on nane of their Popish disguises--me that has lived
in North Leith, baith wife and lass, for I shanna say how mony years,
and has a character to keep up baith with saint and sinner.--And then,
wha's to take care of me, since you are gaun to make a lime-and-stane
wa' of yoursell, Dr. Kickinben?"
"My dear Mrs. Blower, if such is your determination, I will not make a
wall of myself. Her ladyship must consider my profession--she must
understand it is my function to look after my patients, in preference to
all the stage-plays in this world--and to attend on a case like yours,
Mrs. Blower, it is my duty to sacrifice, were it called for, the whole
drama from Shakspeare to O'Keefe."
On hearing this magnanimous resolution, the widow's heart was greatly
cheered; for, in fact, she might probably have considered the Doctor's
perseverance in the plan, of which she had expressed such high
disapprobation, as little less than a symptom of absolute defection from
his allegiance. By an accommodation, therefore, which suited both
parties, it was settled that the Doctor should attend his loving widow
to Shaws-Castle, without mask or mantle; and that the painted screen
should be transferred from Quackleben's back to the broad shoulders of a
briefless barrister, well qualified for the part of Wall, since the
composition of his skull might have rivalled in solidity the mortar and
stone of the most approved builder.
We must not pause to dilate upon the various labours of body and spirit
which preceded the intervening space, betwixt the settlement of this gay
scheme, and the time appointed to carry it into execution. We will not
attempt to describe how the wealthy, by letter and by commissioners,
urged their researches through the stores of the Gallery of Fashion for
specimens of Oriental finery--how they that were scant of diamonds
supplied their place with paste and Bristol stones--how the country
dealers were driven out of patience by the demand for goods of which
they had never before heard the name--and, lastly, how the busy fingers
of the more economical damsels twisted handkerchiefs into turbans, and
converted petticoats into pantaloons, shaped and sewed, cut and clipped,
and spoiled many a decent gown and petticoat, to produce something like
a Grecian habit. Who can describe the wonders wrought by active needles
and scissors, aided by thimbles and thread, upon silver gauze, and
sprigged muslin? or who can show how, if the fair nymphs of the Spring
did not entirely succeed in attaining the desired resemblance to
heathen Greeks, they at least contrived to get rid of all similitude to
sober Christians?
Public-domain text, read in full here on John Shaqi.
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