Black humor; Country life -- Fiction; Historical fiction; Scotland -- Fiction
A strain of music, beginning slowly, and terminating in a light and wild
allegro, introduced on the stage those delightful creatures of the
richest imagination that ever teemed with wonders, the Oberon and
Titania of Shakspeare. The pigmy majesty of the captain of the fairy
band had no unapt representative in Miss Digges, whose modesty was not
so great an intruder as to prevent her desire to present him in all his
dignity, and she moved, conscious of the graceful turn of a pretty
ankle, which, encircled with a string of pearls, and clothed in
flesh-coloured silk, of the most cobweb texture, rose above the crimson
sandal. Her jewelled tiara, too, gave dignity to the frown with which
the offended King of Shadows greeted his consort, as each entered upon
the scene at the head of their several attendants.
The restlessness of the children had been duly considered; and,
therefore, their part of the exhibition had been contrived to represent
dumb show, rather than a stationary picture. The little Queen of Elves
was not inferior in action to her moody lord, and repaid, with a look of
female impatience and scorn, the haughty air which seemed to express his
sullen greeting,
"Ill met by moonlight, proud Titania."
The other children were, as usual, some clever and forward, some loutish
and awkward enough; but the gambols of childhood are sure to receive
applause, paid, perhaps, with a mixture of pity and envy, by those in
advanced life; and besides, there were in the company several fond papas
and mammas, whose clamorous approbation, though given apparently to the
whole performers, was especially dedicated in their hearts to their own
little Jackies and Marias,--for _Mary_, though the prettiest and most
classical of Scottish names, is now unknown in the land. The elves,
therefore, played their frolics, danced a measure, and vanished with
good approbation.
The anti-mask, as it may be called, of Bottom, and his company of
actors, next appeared on the stage, and a thunder of applause received
the young Earl, who had, with infinite taste and dexterity, transformed
himself into the similitude of an Athenian clown; observing the Grecian
costume, yet so judiciously discriminated from the dress of the higher
characters, as at once to fix the character of a thick-skinned mechanic
on the wearer. Touchwood, in particular, was loud in his approbation,
from which the correctness of the costume must be inferred; for that
honest gentleman, like many other critics, was indeed not very much
distinguished for good taste, but had a capital memory for petty matters
of fact; and, while the most impressive look or gesture of an actor
might have failed to interest him, would have censured most severely the
fashion of a sleeve, or the colour of a shoe-tie.
Public-domain text, read in full here on John Shaqi.
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