Stage-coach and Mail in Days of Yore, Volume 1 (of 2): A picturesque history of the coaching ageHarper, Charles G. (Charles George)
History
Stage-coach and Mail in Days of Yore, Volume 1 (of 2): A picturesque history of the coaching age
Harper, Charles G. (Charles George)
Coaching (Transportation) -- History
It was in the very nature of their work that the “up” and “down”
coachmen and guards should never meet, save in that moment of passing
one another on the road. Like the little man and woman of the
old-fashioned weather-gauge--the one coming out and the other going
in, as fine or wet weather willed it--they could not, in the ordinary
routine, possibly enjoy one another’s society. An exception was
annually made on the Holyhead Road, when a hundred coachmen and guards
were bidden to a feast at the “Green Man,” Dunchurch. They managed to
find substitutes for their places on the box, or on the guard’s seat,
for the occasion, and usually sat down to the half of a fat buck from
the Buccleuch estate adjoining that village.
The festival of September 1834 was a memorable one. According to a
contemporary, the anticipation of the tuck-out had kept them on the
_qui vive_ for a week, and it was not a little amusing to see them
nearing the point of attraction on the evening and night before;
in some cases two, and even three, being perched on one coach and
making the welkin ring with notes of their bugles, in solos, duets,
or trios, to the no small interruption of the peaceful slumbers of
wayside hamlets, whose inhabitants, from the constant din of “See the
Conquering Hero Comes,” fancied the Duke of Wellington, at least, was
on the road.
The guards of the Manchester “Red Rover” were particularly on their
stilts, and, having met for the first time on the same vehicle in
musical fellowship, continued practising every tune they did know and
did not know, from the time they quitted Highgate until they entered
Dunchurch, at about 3 a.m., when they took leave of the coach with
the splendid finale of “We Won’t go Home till Morning,” leaving the
harassed passengers with the chance of an odd wink for the remainder
of the journey. “We ought,” says the historian of these things, “as
faithful reporters, to state that Bob Hadley and his chum on the
‘Rover’ occasionally rested their pipes with a cigar or a song; and
in the latter attempt Hadley was certainly second best, for no raven
in a chimney-pot could have more barbarously murdered the airs of
Rossini--so much to the horror of a lady outside, who was herself a
bit of a musician, that she fancied she had by accident got upon the
railway, and taken her seat in a cattle train, in one of the private
boxes set apart for the accommodation of four-footed squeakers.”
Public-domain text, read in full here on John Shaqi.
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