Stage-coach and Mail in Days of Yore, Volume 1 (of 2): A picturesque history of the coaching ageHarper, Charles G. (Charles George)
History
Stage-coach and Mail in Days of Yore, Volume 1 (of 2): A picturesque history of the coaching age
Harper, Charles G. (Charles George)
Coaching (Transportation) -- History
An attempt to supplant the pack-horses between London and Shrewsbury
was made in 1737, by the establishment of the “Gee-ho.” Facts relating
to this conveyance are of especial interest, because we are told the
circumstances that led to it being put on the road. It seems, then,
that until that year Shrewsbury had known no other than a pack-horse
service, which set out from and came to what was then the “Pheasant,”
now the “Lion and Pheasant,” Inn on Wyle Cop, in that town. A Mrs.
Warner, a widow, was landlady, and apparently pack-horse proprietor as
well. A shrewd fellow named Carter, a soldier who had been billeted at
the inn, made love to the widow, married her, and managed the business.
Let us hope they were both happy and successful. At any rate, Carter
started the “Gee-ho” as the first conveyance to ply between Shrewsbury
and London. It was a stage-waggon, drawn by eight horses, with two
others in reserve to pull it out of those sloughs that might then be
confidently expected on the way. It was advertised to go to or from
London in seven, eight, or nine days in either direction, according to
the condition of the roads.
Smollett’s description of how Roderick Random and Strap easily
overtook the waggon journeying to London along the Great North Road
naturally leads to an inquiry why, if being ill-provided with money
and only lightly burdened with luggage, they, in common with others,
preferred to pay for the doubtful privilege of going slower than they
could easily walk. The reason, perhaps, lay partly in that lack of
appreciation of scenery which characterised the period. Poets had not
yet seen fit to rhapsodise upon the beauties of nature, and artists had
not begun to paint them. Both were in thrills of the most exquisite
rapture on the subject of shepherds and shepherdesses, but their Arcady
was bounded by bricks and mortar. Strephon and Chloe wore silk and
satin, red-heeled shoes and wigs, and patched and powdered amazingly.
Theirs was a bandbox Arcady, a pretty bit of make-believe of the kind
pictured by Watteau; and though they found much poetry in lambs, they
knew nothing of the wintry horrors experienced by the genuine shepherds
in the lambing season, and, indeed, nothing of nature outside the
well-ordered parks and formal gardens of the great. All classes alike
looked with horror upon natural scenery, regarded the peasantry as
barbarians, and left the towns with reluctance and dismay.
Public-domain text, read in full here on John Shaqi.
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