Stage-coach and Mail in Days of Yore, Volume 1 (of 2): A picturesque history of the coaching ageHarper, Charles G. (Charles George)
History
Stage-coach and Mail in Days of Yore, Volume 1 (of 2): A picturesque history of the coaching age
Harper, Charles G. (Charles George)
Coaching (Transportation) -- History
certain number of miles an hour to add another mile to his speed. The
improvement could thus have been only nominal.
The Post Office officials in Lombard Street, where the General Post
Office was then situated, were very well content for the public service
to be continued as of old. It would be idle to speculate how long the
department would have lagged behind the times and seen the Post Office
revenues being gradually eaten away by the growing practice of secretly
sending letters by the stage-coaches, which had by this time attained
a speed of about seven miles an hour, and in addition set out more
frequently and at more convenient hours than the postboys. It would
be idle thus to speculate, because, when the scandal was growing to
noticeable proportions--when it was asserted that the Post Office lost
not less than £80,000 a year by letters being conveyed by unauthorised
persons, and when people grew indignant that “every common traveller
passed the King’s Mail”--there came to the front a man with a plan to
remedy what surely was the very absurd paradox that the Government
strenuously reserved to itself the monopoly of letter-carrying, and yet
provided no reasonable facilities for those letters to be conveyed,
and idly watched thousands of pounds of that cherished revenue being
annually diverted from their proper destination. This man with a
well-matured scheme of reform was John Palmer, a native of Bath, born
at No. 1, Galloway’s Buildings (now North Parade Buildings), in 1742.
His father was a brewer and spermaceti-merchant, and proprietor of two
highly prosperous theatres at Bath and another at Bristol. Intended by
his father for the Church, his own inclinations were for the Army; but
he was not suffered to follow his bent, and so was taken from school
and placed in the counting-house of his father’s brewery. Wearying
of that commercial routine, and still without success disputing the
question of entering the Army, he set about learning the practical side
of brewing, and worked among the vats and mash-tubs of his father’s
establishment. Then his health gave way, and signs of consumption
rendered a rest and change of air necessary. Recovering at last
and returning to Bath, he entered into the conduct of his father’s
theatrical enterprises, and at the time when he conceived his plan was
the very busy and successful manager of all these theatres, for which
his energy had secured Royal patents--a license then necessary for the
presentation of stage-plays. These patents were then the only ones
enjoyed by theatres out of London.
[Illustration: JOHN PALMER AT THE AGE OF 17.
_Attributed to Gainsborough, R.A._
]
Public-domain text, read in full here on John Shaqi.
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