Stage-coach and Mail in Days of Yore, Volume 2 (of 2): A picturesque history of the coaching ageHarper, Charles G. (Charles George)
History
Stage-coach and Mail in Days of Yore, Volume 2 (of 2): A picturesque history of the coaching age
Harper, Charles G. (Charles George)
Coaching (Transportation) -- History
It was “golden” chiefly from the sportsman’s point of view, and in
the opinions of those who found a keen delight in the perfection of
coach-building and harness-making, in the smartness of the beautiful
horses, and in the speed attained. From the sordid view-point of the
profit-and-loss account, although this was the age in which Chaplin
and a few others made their great fortunes, it was a time when the
high speed and other refinements of travelling made the path of the
coach-proprietor a thorny and uneasy one, often barren of aught but
honour. “You are ‘in it,’ I see,” said a proprietor who himself had
been severely bitten in this way, and had left the business, to a
coachman who, like many of his fellows, had long cherished an ambition
to become a coach-master, and had just acquired a share: “you are ‘in
it.’ Take care how you get out of it.” One of the prominent men in
it--Cooper, who ran a good line of coaches on the Bath Road--found
himself at last in the Bankruptcy Court, and many smaller men appeared
in the same place. The greatest increase of cost was in the item of
horses. In earlier times the stock had lasted for years, despite the
long stages and harder pulling; but in this period of good roads and
short stages, when, all things being equal, a team should have lasted
longer, the great coach-proprietors found it necessary to renew their
stock every three years. Chaplin’s method of doing this was to replace
one-third of his horses every year.
It is not to be supposed that the horses thus disposed of were always
broken down or worn out by their three years of strenuous exertion in
the fast coaches. They had only lost those agile qualities necessary
for that use, and, finding purchasers among farmers and country
tradesmen who had no occasion to gallop at eleven miles an hour, lived
very comfortably, grew sleek and fat, and must often, from roadside
paddocks, have beheld their successors slaving away in the fast
coaches; finding much satisfaction in their own altered circumstances.
Coachmen at this time usually drove between thirty and forty miles
out, and then took the up coach back, perhaps more than half a day
later. With such an arrangement the horses had the same driver, and it
was generally found that they worked much better in such cases. The
coachman’s responsibility for their condition was also undivided, and
the proprietor was easily able to weed out from his coachmen those who
lingered at the changes and made up the lost time on the road, to the
distress of their teams. It was Chaplin who made it known, by all the
vigorous language at his command, that any one of his coachmen found
in the possession of one of those instruments of torture, resembling a
cat-o’-nine-tails, for punishing horses, and known as a “short Tommy”
would be instantly dismissed. Chaplin’s direct influence and interests
may be said to have described a radius of from forty to fifty miles
Public-domain text, read in full here on John Shaqi.
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