Stained Glass Tours in EnglandSherrill, Charles Hitchcock
History
Stained Glass Tours in England
Sherrill, Charles Hitchcock
Cathedrals -- England; England -- Description and travel; Glass painting and staining -- England
[Illustration: ST. GEORGE'S, HANOVER SQUARE, LONDON
A Renaissance Tree of Jesse from Belgium, readjusted to fit its
new embrasures. Figures unusually large for this subject. Fine
colours and drawing]
Certainly one would not visit the Abbey because of its stained glass,
but equally certain is it that no one who happens into its neighbourhood
can resist its spell and must enter the portal, if only for a moment of
old-world inspiration. Let us yield gracefully, and when we have entered
look about us for what little ancient glazing remains after the visit of
the Roundhead despoilers. There are fragments in the two small windows
of the nave's west end, but the most important remains are those in the
east window above the altar. Here are assembled pieces dating from the
thirteenth to the eighteenth centuries, which serve as a background for
Edward the Confessor and his patron saint--these figures are of the
fifteenth century. Passing on to the east through the maze of kingly
remains, a few steps lead us up into the magnificent Henry VII. Chapel,
whose noble proportions seem to mock the modesty of its name. The
ancient glory of its glass has departed, but those who interest
themselves in the light which heraldry throws upon history should
repair to the easternmost chapel and examine the coats of arms set out
upon its panes. Here are blazoned all the Tudor badges, picturing the
claims upon which that new house based its right to occupy the throne of
England. The red rose of Lancaster and the white one of York are there
alone and in combination. The portcullis of the Beauforts, the family
of Henry VII.'s mother; the Countess of Richmond's root of daisies; the
English lions; the fleur-de-lis of France; the Cadwalader dragon, a
reminder of Henry's descent from the last of the British kings; the
greyhound of the Nevilles, from whom Elizabeth of York descended through
her grandmother, and also the badge of her father, Edward IV.--a falcon
within the open fetterlock; and last, but most significant of all, the
green bush with its golden crown, emblematic of Henry's hasty coronation
on Bosworth Field with the diadem of Richard III. picked from off a
hawthorn bush. In those strenuous days the proof of a legal title was
not infrequently deferred until after the mailed fist had laid hold upon
its prey!
Public-domain text, read in full here on John Shaqi.
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