Stained Glass Tours in EnglandSherrill, Charles Hitchcock
History
Stained Glass Tours in England
Sherrill, Charles Hitchcock
Cathedrals -- England; England -- Description and travel; Glass painting and staining -- England
In our wanderings to see glass we have observed how many and varied were
the reasons for the presentation of those splendid offerings to
religious edifices, and also that these reasons are often storied upon
the windows themselves. Wide as is the range of such causes it is
reserved for Gloucester Cathedral to show us an ancient window erected
to commemorate the winning of a great battle. Thanks to the painstaking
studies of Charles Winston (1863), backed by his exhaustive knowledge of
heraldry, it is now known that the great expanse of coloured glass at
the eastern end of the Gloucester chancel is a thank-offering for the
epoch-making victory at Crécy of the little army of English over the
French hosts. How incongruous it seems that such a feat of arms should
be commemorated in this mild manner! The mind wanders off from this
glorious wall of colour back to a certain cloudy afternoon in August
1346. Edward III. and his young son the Black Prince, with a force of
only eight thousand Englishmen, had swept triumphantly through Normandy
up to the very gates of Paris. There the presence of a huge army of
French and mercenaries forced them to turn northward toward the Flemish
border. Fatigued by their dashing campaign, they were overtaken and
brought to bay by the French at Crécy, about fifteen miles east of
Abbeville. In the very front of the French hosts was stationed a body of
15,000 Genoese crossbowmen who, by their discharge of arrows, were to
disconcert the English, and disorder their ranks preparatory to the
onslaught of the French knights. Suddenly a great storm breaks upon the
embattled armies, terrifying the Genoese unaccustomed to the thunder,
lightning and driving rainbursts of a northern tempest. Nor is this all,
for when the storm passes and the sun darts out from behind the clouds,
the Genoese, ordered to discharge their crossbows, find to their dismay
that the bowstrings are rain-soaked and cannot be drawn. Just at this
juncture the English archers, taking their bows from water-tight cases,
loose such a pestilential shower of arrows upon the already harassed
Genoese that they break and flee, throwing into the wildest confusion
the ranks of the Frenchmen behind them. Effective as were the bows of
the English archers, the long knives of the Welshmen prove equally so,
stabbing the horses of the French and thus placing the riders _hors de
combat_. Together these two bands of yeomen reverse the verdict of
centuries of warfare;--they show the armoured knight to be an
anachronism, and thus in one day feudalism begins to totter to its fall.
The moment has come for the charge of the English chivalry. On they
dash, led by the sixteen-year-old Black Prince. They fall upon the
already panic-stricken French and what has been a battle becomes a rout.
The king witnessed the conflict from a windmill on a ridge, being
desirous that his son alone might have the glory of the victory. It is
Public-domain text, read in full here on John Shaqi.
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