Note in the traceries the red angels, poised upon golden wheels. The most striking feature of this tracery glazing is the liberal use throughout of written music, generally supported by angels. In some instances psalms are written on the white sheets, but more often it is staves of notes. Above the most easterly pair of windows on each side are groups of angels playing musical instruments and walking about on a blue sky dotted over with white stars, much resembling the apples on the trees of children's storybooks. One should observe what an agreeable use is made of these small angels that people the traceries. The glazier has skilfully avoided the ugly effect which would have been produced had the white sheets of music or psalms been continued in a horizontal line around the chapel, and has so waved this white line up and down that it becomes as decorative as the labels so common in German glazing. This appearance of music on glass is rare in England and rarer still in France. The rich colours demanded by the Earl's executors must have produced a splendid effect in this chapel when all the embrasures were glazed as sumptuously as is the east window. Enough remains, however, to make the Beauchamp Chapel an important station in any stained glass pilgrimage. On the other side of the chancel is the vestry, into whose small east window have been collected six diminutive panels formerly in the chancel's east window. They date from 1370 and contrast markedly with some small enamelled scenes in white and yellow stain (dated 1600) placed in the same embrasure with them. While the contrast is too sharp to be agreeable, we are afforded a comfortable, near-at-hand opportunity to observe the great strides which this craft took during that interval of time. COVENTRY