Holy Trinity (Goodram Gate) has a large east window dating from about 1470, whose five roomy lancets contain single figures in the upper canopies and groups within the lower ones. Especially note the central lowest panel, for there appear three men intended to represent the Trinity. This is said to be the only instance in English glass where the Trinity is thus symbolised. On either side of this large window are smaller two-lanceted ones containing figures in canopy. All this glass is supposed to date from the reign of Henry VI., as does also that at St. Martin's (Coney Street). St. Martin's is not only valuable as affording an example of the general arrangement of designs throughout an interior, but it specially rejoices in a great west window that is a real delight. Its five lights set forth the life of St. Martin, and from the records we learn that it was erected with funds received from a bequest dated 1447. Three splendid tiers of canopies rise one above the other across the five lights, while below, where the shadow of an adjoining building might have robbed figures of their brilliancy or interest, the space is filled with elaborate quarry work. Along the clerestory are four-lanceted lights with large saintly figures upon white quarries and blazons above them, each lancet bordered in colour. Kneeling donors reveal whose piety contributed to these windows. St. Michael's (Spurrier's Gate) has quite an amount of Perpendicular glass which is in good condition owing to having been recently releaded. The windows along the south aisle beginning at the east are each four-lanceted; in the first appear the nine choirs of angels, and in the next two the genealogy of Christ. In the south-west window are Biblical scenes, while in the north-west one there has been collected heads, armorial bearings and conventional designs. Fragments have also been gathered into the south-east window, including heads of three kings and a bishop. SALISBURY At p. 30 will be found an account of the Early English glass at Salisbury.