Stand Fast, Craig-Royston! (Volume III)Black, William
General
Stand Fast, Craig-Royston! (Volume III)
Black, William
Families -- Fiction; Grandfathers -- Fiction; Older people -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
These rooms that Vincent had taken at the foot of Buckingham-street were
right up at the top of the building; and commanded a spacious prospect
of the river, the Embankment gardens, the bridges, the great dusky world
of London lying all around, and the dome of St. Paul’s rising dim and
phantasmal in the east. They were bachelor chambers, that had doubtless
seen many tenants (the name of one, George Brand, was still over the
door, and Vincent did not think it worth while to change it), but the
young man had no sooner entered into possession than he began a series
of alterations and improvements that bachelor chambers did not seem to
demand. Not in any hurry, however; nor perhaps with any fixed intent;
it was a kind of amusement for this or that odd half-hour he could
snatch from his multifarious duties. To begin with, he had the woodwork
painted a deep Indian red, and the walls a pearly-blue grey: while the
former colour was repeated in the Japanese window-curtains, and the
latter by the great world outside, on the lambent moonlight nights, or
sometimes in the awakening of the dawn, as he lay in a low easy-chair,
and watched the vast, silent city coming out of its sleep. This
top-floor was a very still place, except for the early chattering of the
tree-sparrows, into whose nests, swaying on the branches just beneath
him, he could have tossed a biscuit. And then his peregrinations
through London, rapid though they were as a rule, occasionally brought
him face-to-face with a bric-a-brac shop; and from time to time he
picked up one thing or another, just as it happened to strike his fancy.
Perhaps these modest purchases were just a trifle too elegant for a
bachelor’s apartments; the sitting-room away up in that lofty situation
came to look rather like a boudoir; for example, there was a music-stand
in rosewood and ormulu—a tall stand it was, as if for a violin
player—which he himself never used. Pictures he could not afford; but
books he could; and the volumes which were one by one added to those
shelves were of a more graceful and literary stamp than you would have
expected to find in the library of a young and busy member of
Parliament. It was not a lordly palace of art, this humble suite of
apartments in the neighbourhood of the Strand; but there was a
prevailing air of selection and good taste; perhaps, one ought to say,
of expectancy, also, in the presence of things not yet in use. Then the
two large and low windows of the sitting-room were all surrounded with
ivy, of long training; but besides that, there were flower-boxes; and at
a moment’s notice, and at small expense, these could be filled with
potted geraniums, if one wished to be gay. And always outside was the
varied panorama of the mighty city; the wide river and the bridges, the
spires and the towers, the far masses of buildings becoming more and
more spectral as they receded into the grey and wavering mist.
Public-domain text, read in full here on John Shaqi.
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