Stand Fast, Craig-Royston! (Volume III)Black, William
General
Stand Fast, Craig-Royston! (Volume III)
Black, William
Families -- Fiction; Grandfathers -- Fiction; Older people -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
"Why," she said to Vincent, "you know perfectly well that all that your
English poets have written about your English spring is a pure
imposture. Who would go a-Maying when you can’t be sure of the weather
for ten minutes at a time? ’Hail, smiling morn!’—just you venture to
say that, on the finest day you ever saw in an English spring; the
chances are your prayer will be answered, and the chances are that the
morn does begin to hail, like the very mischief. You know perfectly
well that Herrick is a fraud. There never were such people as Corydon
and Phyllis—with ribbons at their knees and in their caps. The
farm-servants of Herrick’s time were no better off than the
farm-servants of this present time—stupid, ignorant louts, not thinking
of poetry at all, but living the most dull and miserable of lives, with
an occasional guzzle. But in this country, you believe anything that is
told you. One of your great men says that machine-made things are bad;
and so you go and print your books on hand-made paper—and worry
yourselves to death before you can get the edges out. I call the man
who multiplies either useful or pretty things by machinery a true
philanthropist; he is working for the mass of the people; and it’s about
time they were being considered. In former days——"
"Don’t you want to hire a hall, Louie?" said her sister Anna.
"Oh, I’ve no patience with sham talk of that kind!" continued Miss
Drexel, not heeding the interruption. "As I say, in former days no one
was supposed to have anything fine or beautiful in their house, except
princes and nobles. The goldsmiths, and the lapidaries, and the
portrait-painters—and the poor wretches who made Venetian lace—they all
worked for the princes and nobles; and the common people were not
supposed to have anything to do with art or ornament; they could herd
like pigs. Well, I’m for machinery. I’m for chromolithography, when it
can give the labourer a very fair imitation of a Landseer or a Millais
to hang up in his cottage; I’m for the sewing-machine that can give the
£150-a-year people a very good substitute for Syrian embroidery to put
in their drawing-room. You’ve been so long used to princes and nobles
having everything and the poor people nothing——"
"But we’re learning the error of our ways," said Vincent, interposing.
"My father is a Socialist."
"A Socialist," observed Lord Musselburgh, "who broke the moulds of a
dessert-service lest anybody else should have plates of the same
pattern!"
"Who has been telling tales out of school?" Vincent asked; but the
discussion had to end here, for they were now slowing into the station.
Public-domain text, read in full here on John Shaqi.
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