Standard Selections: A Collection and Adaptation of Superior Productions from Best Authors for Use in Class Room and on the Platform
General
Standard Selections: A Collection and Adaptation of Superior Productions from Best Authors for Use in Class Room and on the Platform
Recitations
For a moment, the boy remained silent; then, suddenly springing to his
feet, he cried:
"It is Franz! I know it, for no one but he could write anything so
beautiful. But it shall be mine, for it is the piece that will gain the
prize! Ah, Franz, I play before you, and what I play shall be--"
He stopped, and the moonlight streaming in at the window glanced across
the room, and revealed a look of half triumph, half shame on his dark,
haughty face. Why had he stopped? Perhaps his guardian angel stood
behind him, warning him against what he was about to do. For a moment, a
fierce struggle seemed to take possession of the boy, between his good
and his evil spirit. But, alas! the evil conquered, and, sitting down,
he wrote off what he had heard, aided by his wonderful memory; and,
after an hour, he threw down the piece, finished. Then, with an exulting
smile, he cried, "The prize is mine!" and, throwing himself on the bed,
he fell into a troubled sleep.
The time had come at last for the great concert, and the boys were so
excited they could hardly keep still; even Franz, whose cheeks glowed
with a brilliant hectic flush, and whose eyes were strangely bright. The
hall was crowded. The imperial family was there, together with the whole
court.
The concert began with an overture from the orchestra. Then came
Fraulein, the prima donna of the Imperial Opera, and then the boys. Carl
came first, and played a brilliant, sparkling little piece, and was
loudly applauded; next Gottfried and Johann, and then Raoul. When he
stepped out upon the platform, his handsome face and fine form seemed to
make an impression on the audience, for they remained perfectly silent.
Raoul commenced. At first Franz paid no attention to him, then suddenly
he started. The melody flowed on; louder and louder, clearer and clearer
it rose. Franz stood motionless, listening in strained, fixed attention,
until at last, overcome with grief and astonishment, he sank upon the
floor and cried out piteously, with tears streaming down his face:
"Oh, Raoul! Raoul! how could you, could you do it--my own little piece
that I loved so much? Oh, mother! mother!"--and, burying his head in
his arms, he sobbed in an agony of grief.
He heard the burst of applause that greeted his piece--not Raoul's; he
heard it all, but moved not until he heard Carl say:
"Come, Franz! it's time to go. They are all waiting for you; but I am
afraid that Raoul has won the prize."
What should he do, he wondered? And then he thought perhaps the kind
Father in heaven would help him. So, breathing a little prayer in his
heart, he walked calmly forth upon the platform.
At first, he trembled so that he could hardly begin; then a sudden
inspiration seemed to come to him--a quick light swept across his face.
He raised the violin to his shoulder and began.
Public-domain text, read in full here on John Shaqi.
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