Stanley in Africa: The Wonderful Discoveries and Thrilling Adventures of the Great African Explorer, and Other Travelers, Pioneers and MissionariesBoyd, James P. (James Penny)
History
Stanley in Africa: The Wonderful Discoveries and Thrilling Adventures of the Great African Explorer, and Other Travelers, Pioneers and Missionaries
Boyd, James P. (James Penny)
Africa, Central -- Description and travel; Stanley, Henry M. (Henry Morton), 1841-1904
Returning to Egypt and passing down the eastern arm of the Nile to Tanis,
or Beni-Hassan, where the Hebrews and Arabs were wont to trade with the
Egyptians, we find one of the oldest authentic monuments, except the
pyramids, and certainly the most interesting to us. It is the tomb of a
nobleman under Usurtasen II. B.C. 2366. The rich paintings on the walls
of this tomb are of inestimable value as showing the arts, trades, and
domestic, public and religious institutions of the Egyptians at this
period. They are still more valuable in an historic view, for they relate
to the arrival of a family of thirty-seven persons from the Hebrew or
Semitic nation, who had come to fix their abode on the blessed banks of
the Nile. The father of the family is represented as offering a gift to
the king. Behind him are his companions, bearded men, armed with lances,
bows and clubs. The women are dressed in the lively fashion of the Amu
tribe, to which the family belongs. The children and asses are loaded
with baggage. A companion of the party is standing by with a lyre of very
old form. The gift of the father, or patriarch, was the paint of Midian,
an article highly prized by the Egyptians. Many persons have been eager
to associate this inscription, or sculpture, with the arrival of the sons
of Jacob in Egypt, to implore the favor of Joseph; but it antedates that
event so far that there can be no possible connection between them. It
does show however that arrivals in Egypt from Arabia and Palestine, for
purposes of trade and even permanent residence, were not confined by any
means to the scriptural period.
[Illustration: INTERIOR OF ROCK TOMB——BENI-HASSAN.]
But where in Egypt do these wonders of monument, of sculpture, of sacred
writing, not exist? We find them everywhere, telling of a people full of
genius and the germs of all civilization. You read as you could not read
from a book, for there is no conflict of sentiment, no odd statements to
reconcile. And what do you read? That the art of writing was familiar
to priest and scribe. That they had ships, for their inscriptions show
handsome nautical designs. There are glass blowers, flax dressers,
spinners, weavers, and bales of cloth. There are potters, painters,
carpenters, and statuaries. There is a doctor attending a patient and a
herdsman physicking cattle. The hunters employ arrows, spears and the
lasso. There is the Nile full of fish and a hippopotamus among the ooze.
There is the bastinado for the men and the flogging of a seated woman.
There are games of ball and other amusements for men and women. And then
the luxuries! There are harpers, costly garments, patterns of every
design, fashions for the hair, costly spices and perfumes. They have
portrayed every type of life and business with a faithfulness which is
astonishing.
[Illustration: EGYPTIAN BRICK FIELD.]
Public-domain text, read in full here on John Shaqi.
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