Stanley in Africa: The Wonderful Discoveries and Thrilling Adventures of the Great African Explorer, and Other Travelers, Pioneers and MissionariesBoyd, James P. (James Penny)
History
Stanley in Africa: The Wonderful Discoveries and Thrilling Adventures of the Great African Explorer, and Other Travelers, Pioneers and Missionaries
Boyd, James P. (James Penny)
Africa, Central -- Description and travel; Stanley, Henry M. (Henry Morton), 1841-1904
Yet the thirst for discovery in the Zambesi country has not abated. Nor
will it till Nyassa, Tanganyika, and even Victoria and Albert Nyanza, are
approachable, for there can be no doubt that the Zambesi is an easier
natural inlet to the heart of Africa than either the Nile or Congo.
[Illustration: SAMBO WOMAN.]
[Illustration: GANGUELA WOMEN.]
No account of the Zambesi can be perfect without mention of Pinto’s
trip across the continent of Africa. He started from Benguela, on the
Atlantic, in 1877, under the auspices of the Portuguese Government
and in two years reached the eastern coast. He was a careful observer
of the people, and his journey was through the countries of the Nano,
Huambo, Sambo, Moma, Bihé, Cubango, Ganguelas, Luchazes and others till
he struck the Zambesi River. His observations of manners and customs are
very valuable to the student and curious to the general reader. His work
abounds in types of African character, and in descriptions of that art
of dressing hair which Christian ladies are ever willing to copy but in
which they cannot excel their dusky sisters. It takes sometimes two or
three days to build up, for African ladies, their triumphs of barbers’
art, but they last for as many months. The Huambo people, male and
female, enrich their hair with coral beads in a way that sets it off with
much effect. The Sambo women, though not so pretty in the face, affect a
louder style of head dress, and one which may pass as more artistic. But
Pinto was prepared to wonder how human hair could ever be gotten into
the various artistic shapes found on the heads of the Ganguela women.
Their skill and patience in braiding seemed to be without limit. The Bihé
head dress was more flaunting but not a whit less becoming. Indeed there
seemed in all the tribes to be a special adaptation of their art to form
and features, but whether it was the result of study or accident, Pinto
could not of course tell, being a man and not up in ladies’ toilets. The
Quimbande girls wore their hair comparatively straight, but their heads
were covered with cowries bespangled with coral beads. The Cabango women
have a happy knack of thatching their heads with their hair in such a way
as to give the impression that you are looking on an excellent job of
Holland tiling, or on the over-lapping scales of a fish.
[Illustration: BIHE HEAD DRESS.]
[Illustration: QUIMBANDE GIRLS.]
[Illustration: CABANGO HEAD DRESS.]
The Luchaze women evidently take their models from the grass covers of
their huts. They make a closely woven mat of their hair which has the
appearance of fitting the scalp like a cap. The Ambuella head dress is as
neatly artistic as any modern lady could desire. Indeed there is nothing
in civilized countries to approach it in its combination of beauty and
adaption for the purposes intended.
[Illustration: LUCHAZE WOMAN.]
[Illustration: AMBUELLA WOMAN.]
Public-domain text, read in full here on John Shaqi.
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