Stanley's Adventures in the Wilds of Africa: A Graphic Account of the Several Expeditions of Henry M. Stanley into the Heart of the Dark ContinentHeadley, Joel Tyler
History
Stanley's Adventures in the Wilds of Africa: A Graphic Account of the Several Expeditions of Henry M. Stanley into the Heart of the Dark Continent
Headley, Joel Tyler
Africa, Central -- Description and travel; Stanley, Henry M. (Henry Morton), 1841-1904
The breeze was light and they made slow headway, and it was evidently
going to be a long sail to the island. As the sun went down, huge black
clouds began to roll up the sky, traversed by lightning, while the low
growl of thunder foretold a coming storm. As the clouds rose higher and
higher the lightning became more vivid, and the thunder broke with
startling peals along the water, and soon the rain came down in
torrents, drenching them to the skin. The waves began to rise while
darkness, black as midnight, settled down on the lake. The little craft
tossed wildly on the water, and the prospect before them looked gloomy
enough. Fortunately, about midnight, they came upon Pocoke Island, and
anchored under its lee amid thunder and lightning, and rain, and the
angry roar of the surf on every side. All night long the flashes lit up
the angry scene, while the heavy, tropical thunder shook the bosom of
the lake. The haven they had reached was so poor a protection that all
hands were kept bailing, to prevent the overstrained boat from
foundering at her anchor.
We have a very faint idea in our northern latitudes of what a
thunderstorm is in the tropics, and the slight affair that Stanley made
of it is one of those apparently insignificant, and yet most striking
illustrations of his character. Storms on the water--starvation on
land--deadly perils of all kinds are spoken of by him as one would speak
of the ordinary incidents of travel. He has no time, and apparently no
taste, for sensational writing; or perhaps it would be nearer the truth
to say--in his cool courage, calm self-reliance and apparent contempt of
death he does not see the dramatic side of the scenes in which he
performs so important a part. The most tragic events--the most perilous
crises are treated by him as ordinary events. An escape so narrow that
one's heart stops beating as he contemplates it, he narrates with as
much coolness and apparent indifference as he would his deliverance
from a disagreeable companion.
Public-domain text, read in full here on John Shaqi.
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