Star-Dust: A Story of an American GirlHurst, Fannie
General
Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
"By transplanting, yes. I never married out there, believe me. We was
both born and raised right here on the little long and narrow island,
till he got a better job out there with the telephone company. Believe
me, I'll take my little old fifteen a week in New York to thirty a week
out there, bungalow setting thrown in. Bunk-a-low, I call it."
"But isn't it better for the baby?"
"That's right, too. I always say to my twin, I say, 'Myrt, if you don't
think I got harder hours than when I worked next to you in the Five and
Ten, and no pay day, neither, just trade with me one day and take care
of the kid and the bunk-a-low.' I always say to Fred, I say, 'If you
think you're dog tired, fasten a speedometer on my ankle and read it
when you come home nights and see who's taken the most steps.' It's
hell, anyways, when they won't eat and you can't hit the right formula."
"Poor baby!"
"You wouldn't give 'em up after you got 'em, but believe me it's a wise
girl will think twice before she has 'em. A girl gains a lot by
marrying--maybe. But believe me, she gives up a lot--sure."
"But you married the right man."
"Yeh; but Nature is a trickster. How you going to know where her
intentions leave off her and your own begin? Fred and me ran off.
Regular love affair. I suppose I am one of them that picked right; right
as a girl with my disposition could ever pick. If I hadn't, believe me,
eight hours for me behind the counter in preference to eating the rest
of my breakfasts across from the wrong face. Sh-h-h, Freddie baby! Can't
you see my back is breaking? Sh-h-h! Auntie Myrt's gone to nice matron
for barley water. For the love of Mike, sh-h-h! or mamma'll spank."
The twin fluttered up then, a vivid italicized prototype, on slim tall
heels that clicked and a very small red hat set just at the angle of
sauciness. They moved off together after a bickering over luggage, the
slim silhouette with the chin sharply flung up and the accentuated
sway-back figure of the little mother, her skirt sagging over run-down
heels, and, for want of a free hand, blowing up the loose strands of
hair from out her eyes.
Public-domain text, read in full here on John Shaqi.
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