Star-Dust: A Story of an American GirlHurst, Fannie
General
Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
"I'm the grist being ground between yesterday and to-day. Sometimes I
think I must be some sort of an unfinished symphony which it will take
another generation to complete. I am a river and I long to be a sea. I
must be the grape between the vine of my family and the wine of my
progeny. That's it, I'm the grape fermenting!"
Then she felt absurd and looked absurd and stood there with the quick
fizzing spurt of exultation died down into a state of bathos.
"Let me stay on here on my terms, Mr. Visigoth," she finished with a
sort of broken-wing lameness of voice.
"What terms?"
"The terms you have been generous enough not to violate up to now. I've
the most glorious reason for wanting to make good that a girl--a woman
could have. I don't think the career stuff, as you once called it, is
rankling any more. I'm suddenly glad and quiet about my job. Let me stay
on. Let me make myself indispensable to this growing, interesting
enterprise of yours. Why, even watching the letters grow in numbers and
importance, and using the little individuality in handling them that you
are beginning to allow me, is a game worth playing! I'm like a bad girl
who has been spanked by life and is all chastened and ready to be good.
If you are the clever business man I think you are, you'll let me stay,
Mr. Visigoth, on my terms."
There was a shine to her there in the half light, probably because her
eyes were wide and the muscles of her face lifted so that her teeth
showed, but not in a smile.
"I played the game on your terms, Mr. Visigoth; now meet me on mine."
"Put your cards on the table, then; no fine flights of speech either.
Who are you?"
"I told you from the first I am a married woman, with nothing to be said
against my husband except that he was part of a condition that was
intolerable to me."
"Where is he?"
"West."
"Stage ambition, eh?"
"Yes or--I don't know. Too many ambitions of all kinds crawling over me
like a terrible itch, for God knows what. Fermenting. The grape
fermenting! But I'm quiet now. So quiet that sometimes I think I
wouldn't change it for even the--the singing wine of fulfillment. I
don't think I can make you understand. I seem to have been stretching
all these years for--for something my arm isn't quite long enough to
touch, and now my child--my little girl--"
"You have a child?"
"A little girl."
"How old?"
"Eleven weeks."
He looked at her across a long silence.
"Good God!" he said, and then again, "Good God."
"Yes," she said, watching belated comprehensions flood up into his face,
"that was it."
"You mean you had on your hands that night a--"
"Yes, a three-and-a-half-weeks-old one."
"You were broke?"
"Stony."
"Good God! You--poor--"
"I'm not pleading for your sympathy, Mr. Visigoth. Only a square deal.
Will you give it?"
He walked over to his desk, turning on a green-shaded bulb, the clip
back in his voice and manner.
"That will be all for this evening, Mrs. Parlow--"
"Penny."
Public-domain text, read in full here on John Shaqi.
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