Star-Dust: A Story of an American GirlHurst, Fannie
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Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
"The more I see of your case, Lilly, the less I understand it. To think
of anyone in this world of suffering deliberately bringing it upon
herself. Why, my dear, it isn't any of my business, but when I think of
those parents of yours out there, comprehending nothing, and that poor
bewildered husband of yours, I could cry for them."
"Do you think I don't, Mrs. Blair, whole nightfuls of tears? Why,
yesterday at the Library in my home paper I saw a little local notice of
my mother's euchre club meeting at our house--it was a knife,
somehow--the pain of it--"
"I'm not saying so much about the husband, only, God knows why a woman
should throw away a life-time of protection just because a man chews
with his temples and--"
"Surely you haven't taken that literally! I only tried to symbolize for
you that the unimportant mannerisms that may even delight in one person
can become monstrosities in another. Oh, I haven't made you
understand--"
"Yes, dear child, you have made me understand this much. What a fine
sense of satire the power behind the throne of the world must have. Take
me--that first little two-by-four home of mine over in a back street of
Newark. Talk to me of freedom! I married to get away from it. Somebody
who cared whether I came or went. Somebody who cared enough to want to
restrict me."
"Ah yes, but--"
"We had a little house on Dayton Street; must have been a hundred years
old, with funny little leaded panes and a staircase rising out of the
parlor to a queer old box of a bedroom with slant walls. We painted the
floors ourselves and Lon did the doors in burntwood. He had a feeling
for the artistic, Lon had. That was the way we met--that was--the
way--we--met."
"How?"
"He was a police sergeant then, and I was bookkeeping for the time for
Metz Producing Company. Lon used to drop in once in a while for passes.
Then he got to waiting for me evenings with little pencil drawings of
all the funny things that had happened to him during the day. I was
strong for him to get off the force and take up art, but even then, now
that I look back on it, I can see that Lon was fed up on propositions
that it was driving him half mad to resist. That in itself should have
put me on my guard, but it didn't. I don't know why I'm telling you
all this--"
"Go on."
Public-domain text, read in full here on John Shaqi.
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