Star-Dust: A Story of an American GirlHurst, Fannie
General
Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
She had drifted, not all unconsciously, into a certain picturesque
uniformity of dress and could smile now over the large, cart-wheel hats,
coarse embroideries, and short-vamp shoes; neither was she often above
mentally contrasting herself in her annual seventy-five dollar suit of
dark-blue serge, natty sailor hat, and impeccable blouse, with a certain
coffee-colored linen with its slashings of coffee-dipped embroidery, and
the blouse that twirled with yards and yards of cotton Valenciennes.
There was still something of the look of the nun to Lilly, but a bit too
pinkly, as if she had dressed the part for Act One, but wore the ballet
skirts for Act Two underneath.
Her reaction asserted itself in her child. At thirteen Zoe wore straight
frocks of navy-blue alpaca with wide patent-leather belts and deep Eton
collars. They were mistaken sometimes, and, strangely enough, to Lilly's
invariable chagrin, for sisters, and Lilly, in her refutation, could be
smitingly swift.
At nine o'clock, to the staccato of three rings, she admitted Bruce
Visigoth, leading him down the tube of hallway. It annoyed her
unspeakably that Harry Calvert, collarless, poked out his head from a
doorway as they passed, and she was suddenly conscious of the smell of
stew. She had meant to burn an incense stick.
But she walked with that free, Hellenic stride of hers, without apology
and ahead of him.
"This is our room. Zoe is asleep there behind that screen. Won't you sit
down?"
He placed his hat and a light bamboo stick across the center table,
obviously oppressed with a sense of close quarters.
"Tell you what! Suppose we taxi over to Claremont. It's mild enough to
sit out on the terrace."
She met him with her levelest gaze.
"Aren't you going to be comfortable here?"
"Of course I am. There you go, getting sensitive right off. Only it is
a warmish evening, and why keep the sun-child awake?"
"Zoe can sleep," she said, with the barely perceptible arch to her
brows, "even through the fire of your presence."
"Good!" he said, seating himself in great good nature and trying not to
be quizzical. "So this is where you live."
He was frankly curious, his gaze humorous, but traveling over details,
his head upflung and the scenting movement to his nostrils. He had not
changed in weight, but in compactness and as if the house of his being
had settled with a fine kind of firmness. He was a bit squarer of jaw
and shoulder and ever so prematurely, and to the enormous fancy of
women, inclined to a hoar frost of gray at the temples.
She seated herself across the little square of table.
"You don't seem to care for us here."
"Certainly I do, only--only--"
"Only what?"
"Only--well, hanged if I make you out, lady. This place--it just isn't
you--that's all."
"Nonsense! I don't count. I'm just a sort of a means to an end, anyway."
"What end?"
"The wine!"
"The what?"
"Oh, nothing," she said, and laughed.
"Laugh again."
"Why?"
"I like it."
Public-domain text, read in full here on John Shaqi.
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