Star-Dust: A Story of an American GirlHurst, Fannie
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Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
They were locked in embrace again, Mrs. Becker blown hot and cold by the
ever-shifting clouds of her emotions, the two men standing by in a state
of helplessness that was always in inverse proportion to the lavalike
eruptions from the crater of her nerves.
"Mother, father and I will leave you alone for a while and you have your
talk together first--"
"No! She's your wife. You have yours first! It's about time you were
coming into some of your rights!"
Such a fiery redness was out in Albert's ears that against the lights
they were of the translucency of red-hot iron, and even through her pity
for his _malaise_, her old poignant distaste of him would not be laid.
She wanted him to lunge somehow with that bull-like head of his with the
bashedin squareness to its top, but since nothing like that happened,
she sprang up instead, grasping her mother's hand.
"Not now," she cried. "I want to tell you all something first, and then
I want to take you--to my place--to see where--the way I live--"
"Yes," said Mrs. Becker, rising with a crinkling of nose and drawing her
marabout boa about her, "I want to see the way you live--first. Guests
of hers at a hotel like this. A position, she tells me.
Lilly--Lilly--for God's sake tell me you've been a good girl--"
"Carrie!" At the sound of rare thunder in her husband's voice she did
subside then. Later she began.
"Nice rooms. Nicer than in Chicago that time. Albert, let me give you a
clean handkerchief out of the valise.... No, you don't know where they
are. Don't like that shirt waist. Too mannish. Don't worry about those
pillows, Albert. I brought your little one along. Glass tops. That's
nice, isn't it? How would you like one for your chiffonier at home,
Albert? Quit whittling toothpicks on the floor, Ben--Oh dear! if
somebody don't say something, I'll scream--"
"Come, mamma--papa--Albert. I want to take you--home, and while we drive
up there I want to talk to you."
But once within the cab and with her mother's constant runnel of talk
and its threat of hysteria, courage failed Lilly, so she sat back,
holding herself against rising panic and her mind refusing to hook
tentacles into the situation toward which they were speeding.
"You look mighty well, Lilly," her father would repeat, gently; "not
much changed, but a little more settled--in the bones--"
"Who does your darning and mending?"
"I do, mamma. See, this is Broadway, papa. We're just rounding the
famous Columbus Circle."
"I don't see much difference between this and St. Louis. Do you, Ben?
Just stores and stores like there are on Olive Street. Oh, look! There
is one of the Ryan Cut Price Drug Stores, just like we have at home.
Look at the crowds around that thing--what's that? 'Subway,' it says--"
"Lilly, Lilly, it makes me tremble when I think of you in this great
city alone."
"Why, papa, I never was so safe."
"It's not decent, that's what it's not."
"Now, Carrie--"
"Stop cutting me off every time I open my mouth."
Public-domain text, read in full here on John Shaqi.
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