Star-Dust: A Story of an American GirlHurst, Fannie
General
Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
"Yes," he said, "I think I do know." He wanted to keep his gaze away
from her and to keep it cool, but somehow each time their eyes met a
flame leaped up out of embers, a fiery new consciousness that
kept dancing.
"He and--and my parents--you see, they--Well, I told you everything in
the letter."
"Are your parents returning home?"
"Yes. That's what I've come to say. You see--they--we--we've decided to
remain here two months. Until September--up in my little apartment, all
of us. In September Zoe is to have her audition with Auchinloss. So much
depends on that. We've such hopes, her teacher and I. She's pure lyric
soprano. We think grand-opera brand. And now with the war on, more and
more the American girl is getting her chance. That's why my parents have
finally consented to wait here with me until then. After that, Zoe is to
stay with Ida Blair and we three--my parents and I--are going
home--together. That is what I have come to tell you. I'll be giving up
my work with you in--September. I'm going home--with them."
He regarded her, his flush going down perceptibly.
"You're fooling."
"No," she said, trying to smile. "I suppose it's about the most solemn
job I have left to do in life--going home."
"Why, you--you can't go back there."
"I can," she said, her voice held calm.
"I--we can't let you go."
"Why? Zoe--my big job's done."
"Lilly, I tell you we need you here more than ever. My brother arrives
this morning from Seattle. We've completed the cross-country chain. I'm
free now to branch out. I'm counting on you. I'm full of an idea for
that community opera scheme and I'm ready to do the play from the
Russian on your say-so. Lilly--you cannot go now--"
"I can--must," she said, scraping back her chair. "You must work out your
dreams--alone--with some one else. I--must--go." And then withdrawing
from what she saw: "No! No! Bruce! No! No!"
But just the same they were in each other's arms with the
irresistibility of tide for moon and moon for tide. Press him back with
her palms as she would when his lips found hers, it was as if something
etheric had flowed into her brain. She wanted to resist him and instead
her hands met in a clasp about his neck. "No, no." And yet as he kissed
her eyelids and down against the satinness of her hair, it seemed to her
that toward this moment all the poor blind years had been directed.
"Lilly--darling."
She tried to shake off her enchantment.
"You hurt!"
"I want to."
"My--love."
"My love."
"So this--this is it?"
"What?"
"Love."
"Love. Love."
"How beautiful--sex."
"I want to kiss those stars out of your eyes. I want to wind you in
moonlight."
"Bruce, I think I must be mad. Crazily--deliciously mad."
"Me too. I'm as deliciously, as crazily mad as any young Leander. I want
to swim a thousand Hellesponts for you. I want--"
"No--no--no, Bruce, you don't understand--my love--"
"I do understand. That I have you now to love and adore, to marry--"
Public-domain text, read in full here on John Shaqi.
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