Star-Dust: A Story of an American GirlHurst, Fannie
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Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
Somewhere between the ecstasy of the elbow that pressed against hers,
and the ecstasy of her child's voice still trilling on the black
silence, Lilly was conscious of movement. The gray silhouette marching
down the aisle of gloom. A group up about the piano. Another chord
struck out. Zoe's voice skipping upward in grace notes.
Vague, indeterminate passings of figures through a fluid of unreality,
like submarine life behind glass.
Then somehow they were out again into the gloom of wings and then on to
the white, incredible humdrum of the side street, standing there beside
the little door marked "Private," Bruce at her side, rather quivery at
the flanges and mopping constantly at the damp rim of his hair.
"Lilly, you've won!"
She felt sillily inclined to laugh.
"I seem to have, don't I?" she said, turning her face under pretense of
adjusting her hat, but really for fear that even a smile would induce
the threatening laughter which she knew, once let go, would slip up
beyond her control.
"She's a flute. She's a lark. She's a dream. I--I don't believe I seem
to take it in."
"Nor--I."
Later, Zoe joined them, an air of assumed composure belied by the
flaming brilliancy of her eyes and cheeks.
"Why didn't you come up afterward?" she said, forcing a commonplace,
and to Bruce, "Hail a cab, Pretty-please."
He did, helping them in and poking his head in after.
"Where?"
"Anywhere. Let it be the Park for a while, Lilly?"
She nodded.
"Is three a crowd?"
For answer she drew him in by the sleeve and on the jouncing off of the
cab was in her mother's arms, covering her cheeks with close-pressed,
audible kisses, and, after the inexplicable manner of women, both of
them crying.
"He--he didn't say much, Lilly. Kissed my hands. Told me to live
beautifully and work endlessly. Asked me if I loved poetry and painting
and sunrises and spring--a lot of stuff about the awakening of spring.
And kissed my hands again. I'm going back to-morrow. They're discussing
things now--he and _maestro_--something about a five-year contract--but
a great deal of red tape first--board meeting. I'm to be a secret until
next season, _maestro_ cried--and Auchinloss--Lilly, you need never be
afraid for me--you hear--you hear--never! We measured each other--he
called me wonder-child. Me--Zoe. Lilly--it's happened ... and you--did
it. Lilly, kiss me."
"You darling. You're like a queen. All the little lives that go into the
making of your cloth of gold, yet each proud to be ever so humble a
party to it!"
"Lilly, you're sad! On _my_ day you're sad."
"Glad! You're the meaning of everything. The road had to lead somewhere.
Everything is so clear now. You're the lovely meaning, Zoe, behind all
the circumstances that went to weave you."
Only half plumbed, Zoe sprang from her mood, flashing with all the
amazing coquetry that was so new to Lilly, around toward Bruce.
"Well--what?"
"On the very day I've found you I've lost you."
"To whom?"
"Fame."
Public-domain text, read in full here on John Shaqi.
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