Star-Dust: A Story of an American GirlHurst, Fannie
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Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
"I think I would have to want something--love something--enough to tear
out my very heart for it before I could pay her price. Nothing on earth,
Miss Neugass, can be so hideous--as that! I--I imagine it's flying in
the face of the first law of nature--nothing so hideous as giving of
self to--in--in--payment--"
Tears were racking the worn form of Miss Neugass, Lilly wrapping her in
arms that soothed.
"You musn't," she said; "you've your big job ahead of you."
Through the left wall came a sharp trilogy of raps.
"All right, ma. Coming!" cried Miss Neugass, starting up instantly, her
voice lifted and absolutely without tremor.
That night Lilly dreamed the whole of her marriage. Her father with his
face distorted by lather before his shaving mirror. The Leffingwell Rock
Church. Little Evelyn Kemble placing the white-satin cushion. Herself
and Albert finally locking the door of their new little home that
wedding night.
It was then she awoke with a scream.
CHAPTER XX
About a week later an advertisement in a morning paper caught Lilly's
eye.
WANTED:--Refined young woman of good appearance and soprano voice, to
sing in music store. Must be able to accompany self. Apply between
twelve and six. Broadway Melody Shop, 1432 Broadway.
A recurring and dragging sense of lassitude was over her these mornings,
so that it was all she could do to drag herself through two hours of
practice in the parlor, scrupulously given over by Mrs. Neugass, who
moved constantly and audibly about the kitchen.
Her lessons, one every Tuesday morning, with Leopold Ballman, were
tiresome unmusical periods of diaphragm exercises and an entire tearing
down and reconstruction process of the previous methods taught her. It
was tedious, standing before the long gold-and-black pier glass in the
front parlor, watching the tendinous rise and fall of her lower thorax
when her forbidden arias were on top of the piano and a cabinet of
Millie du Gass's sheet music bulged there at her disposal.
The old disturbing ache would climb up to the back of her neck, and her
half-baked power of concentration falter at the arid monotony of,
breathe-in; breathe-out.
There were about five months between Lilly and the hour of her supreme
travail. They might have been five years, while she paused suspended,
as it were, in this state of abeyance that hung between the hot August
day of her leave-taking of home and that chimeric hour ahead which
depended like a stalactite, stabbing space.
Her most tangible concern was a money one. The breaking of another
one-hundred-dollar bill was imminent and it frightened her. She reduced
her vocal lessons, at three dollars the hour, to one every other week,
finally discontinuing entirely, and took to haunting the agencies daily,
leaving her address where no initial charges were required and scanning
incessantly the want advertisements under Amusements.
Public-domain text, read in full here on John Shaqi.
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