Star-Dust: A Story of an American GirlHurst, Fannie
General
Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
At noon she took in a bottle of milk from the window sill, thawed it,
slid a hatpin along the wrapping of a new tin of biscuit. She alternated
between bites and sips, sitting on the bed edge, her gaze into the
design of the wall paper.
At home they must be sitting down to dinner, her father adjusting his
napkin by the patent fasteners and tilting back his head for the
invariable preamble of throwing the contents of his water tumbler down
at a gulp. Her mother in the hebdomadal polka-dotted foulard, her bangs
frizzed. Albert gnawing close to the drumstick, jaws working.
As a matter of fact, just that scene was at just that moment in its
enactment, and in all the fullness of her intuition she now knew it as
unerringly as if it had flowed in replica to her through time and space,
etching itself in dry point into her consciousness.
How often and with uncanny fidelity to fact her retroactive state of
mind had guided her step by step over the site of the domestic disaster.
Her parents' home, reaching around like an amoeba, inclosing Albert in
living walls. The slow readjustment, dumfounded rage, and despair
simmering gradually to bitterness and hardening finally to despair. The
soft, sensitive ground of their sorrow constantly spongy with the
wellsprings of grief beneath, but the surface bubbles showing less and
less, and ultimately a hard dryness setting in. Her heart would hurt as
tangibly as if the surface of her body were red with a wound from it,
yet, sitting there at her milk and biscuit, her gaze into the monotonous
repetition of wall-paper design, the thought of that Sunday dinner out
there, with its invariable roast chicken, bread stuffing, candied sweet
potatoes, and lemon-meringue pie; the Sunday-afternoon lethargy; the
hypothenuse of her father asleep in his chair, the newspaper over his
face; Albert, the celluloid toothpick moving along his lips, puttering
around at favorite locks and bells; the mere visualization was such a
fillip to her present that she lay back on the bed, stretching her arms
and legs like a great, luxurious cat, her lips curved to a smile.
At five o'clock, as she lazed there, Alma Neugass burst in without the
usual scrupulously observed preamble of a knock. There were two round
spots of color out on her long cheeks, and her white cotton shirt waist,
always bearing the imprint of sleeve protectors, was replaced by a
dark-blue silk of candy-stripe plaid, with a standing collar of lace
that fell in a jabot down the front, held there by an ivory hand of a
brooch. There was something of the mausoleum about poor Alma, the grim
skeleton of her everyday personality finding but icy warmth beneath the
ivory, lace, and the seldom-warn black broadcloth skirt that was pinned
over two inches at the waistline to hold it up.
"Did you think I'd forgotten you? I haven't--but it's been such a rush."
She sat down on a chair edge, pressing a bony hand to her brow.
"You poor thing, you're dead tired."
Public-domain text, read in full here on John Shaqi.
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