It was Foucault who, towards the end of his life, thought of the immense
use of an instrument of this kind as a substitute for the motion of
equatorials; he, however, unfortunately did not live to see his ideas
realized, but the Commission for the purpose of carrying out the
publication of the works of Foucault directed Mr. Eichens to construct a
siderostat, and this one was presented to the Academy of Science on
December 13th, 1869, and is now at the Paris Observatory. Since that
date others have been produced, and they have every chance of coming
largely into use, especially in physical astronomy. Fig. 156 shows the
elevation of the instrument, the mirror of which, in the case of the
instrument at Paris, is thirty centimetres in diameter, and is supported
by a horizontal axis upon two uprights, which are capable of revolving
freely upon their base. The back of the mounting of the mirror has an
extension in the form of a rod at right angles to it, by which it is
connected with the clock, which moves the mirror through the medium of a
fork jointed at the bottom of the polar axis.
The length of the fork is exactly equal to the distance from the
horizontal axis of the mirror to the axis of the joint of the fork to
the polar axis, and the direction of the line joining these two points
is the direction in which the reflected ray is required to proceed. The
fork is moved on its joint to such a position that its axis points to
the object to be viewed, and, being carried by a polar axis, it remains
pointing to that object as long as the clock drives it, in the same
manner as a telescope would do on the same mounting. Then, since the
distance from the axis of the mirror to the joint of the fork is equal
to the distance from the latter point to the axis of its joint to the
sliding tube on the directing rod, an isosceles triangle is formed
having the directing rod at its base; the angles at the base are
therefore equal to each other.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account