In this and in other observational matters it is good to know what to
look for, and there are great generic differences between the spectra of
the various stars. In Fig. 200 are represented spectra from the
observations of Father Secchi. In the spectrum of Sirius, a
representative of Type I., very few lines are represented, but the lines
are very thick; and stars of this class are the easiest to observe.
Next we have the solar spectrum, which is a representative of Type II.,
one in which more lines are represented. In Type III. fluted spaces
begin to appear; and in Type IV., which is that of the red stars,
nothing but fluted spaces is visible, and this spectrum shows that there
is something different at work in the atmosphere of those red stars to
what there is in the simpler atmosphere of the first—of Type I. These
observations were first attempted, and carried on with some success, by
Fraunhofer, and we know with what skill and perseverance Mr. Huggins has
continued the work in later years, even employing reference spectra and
determining their chemical constitution as well as their class.
[Illustration:
FIG. 200.—Types of Stellar Spectra (Secchi).
]
We need scarcely say that the same arrangement, minus the cylindrical
lens, is good for observing the nebulæ and such other celestial objects
as comets and planets.
For all spectrum work, it has to be borne in mind that the best
definition is to be had when the actual colour under examination is
focussed on the slit. With reflectors, of course, there is no difference
of focus for the different colours. As the best object-glasses are
over-corrected for chromatic aberration, the red focus is generally
inside and the blue one outside the visual one. It is not necessary to
move the whole spectroscope to secure this; all collimators should be
provided with a rack and pinion giving them a bodily movement backwards
and forwards.
This precaution is of especial importance in the case of solar
observations, to which we have next to refer.
Public-domain text, read in full here on John Shaqi.
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