Starr turned his head and saw Helen May standing quite close, on the
other side of him. She was glancing inquiringly from him to the pinto
pony, and she was smiling the least little bit, though her eyes had a
shamed, self-conscious look. Starr eyed her keenly, a bit reproachfully,
and she blushed.
"I thought maybe you'd come around where I was," she defended herself
lamely. "It--seemed cooler there--"
"Yes, I noticed it was pretty cool, from the tone of your voice."
"Well--oh, I was just nursing a grouch, and I couldn't stop all at once,"
Helen May surrendered suddenly, sitting down beside him and crossing her
feet. "I've read in stories how sheepherders go crazy, and I know now
just why that is. They see so few people that they don't know how to act
when some one does come along. They get so they hate themselves and
everybody else. I had just finished abusing poor old Pat till he went
off and sulked too."
"I thought probably you and Pat had just had a run-in, the way he acted."
Starr went back to scanning that part of the mesa where he had glimpsed
the rider. He could not afford to forget business in the pleasure of
talking aimless, trivial things with Helen May.
"What are you looking for?"
"Stock," said Starr, falling back on the standard excuse of the
range man.
"And _what's_ the idea of two saddle-horses and two saddles and two
bridles?" Helen May's voice was as simply curious as a child's.
"The idea is that you're going to ride instead of walk from now on. It's
an outfit I got from a fellow that was leaving. He borrowed money from me
and left his horse and saddle, for a kind of security. I didn't want it,
but he had to leave 'em somewhere. So I thought you might as well keep
the horse and use it till he comes back, or something." Starr did very
well with this explanation; much better than he had done in explaining
Pat. The truth was that he had bought the horse for the express purpose
of giving it to Helen May; just as he had bought the dog.
Helen May studied his face while he studied the distant plain. She
thought he acted as though he didn't care much whether she kept the
horse or not, and for that reason, and because his explanation had
sounded like truth, she hesitated over refusing the offer, though she
felt that she ought to refuse.
"It ain't right for you to be out here afoot," said Starr, as though he
had read her thoughts. "It's bad enough for you to be here at all. What
ever possessed you to do such a crazy thing, anyhow?"
"Well, sometimes people can't choose. Dad got the notion first. And
then--when he died--Vic and I just went ahead with it."
"Did he know anything about this country? Did he know--what chances you'd
be taking?" Starr was trying to choose his words so that they would
impress her without alarming her. It angered him to have to worry over
the girl's welfare and to keep that worry to himself.
Public-domain text, read in full here on John Shaqi.
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