It is no wonder that Dostoevsky, possessed by a clamorous multitude of visions, could not arrest them all, and could not fix them in print. Every instant new subjects occurred to him and new characters. Somewhere in the subconscious part of him all this material was melted into one monolithic whole, but it gushed out so impetuously and variously on the surface and overflowed into so many channels that it was impossible to catch all the details and all the particulars. N. N. Strakhov, Dostoevsky’s intimate friend, left a remarkable description which testifies to the unrestrained overflow of Dostoevsky’s imagination. “New characters, new schemes for novels, new problems occurred to him incessantly; they besieged him. They even hampered his work.” Strakhov says, “Certainly he only wrote a tenth part of the novels which he had thought out and carried about with him, sometimes for many years. Some of them he told in detail and with great enthusiasm, and he had endless schemes like this which he had not time to work out.” Neither Strakhov nor the other memoir writers (with the exception of Sophie Kovalevsky) told Dostoevsky’s admirers about those plans of which he spoke “with great enthusiasm.”... In Dostoevsky’s note-books there remain traces of his creative ideas, “ideas for new stories,” plans of unfinished works, “memento. For my whole life.” Thus on one page I found a note: “In 1860, (1) The Darling, (2) Spring Love, (3) The Double (to re-write it), (4) Memoirs of a Convict (fragments), (5) Apathy and Impressions.” “Spring Love” is the title of a novel of which only the plan is left.... Under the date Nov. 23, 1859, he put down the “plan of the tragedy _Fatum_. Plan of Comedy: the lady places the married teacher under arrest because he is married.” Among the stories of Makar Ivanovich (in _The Raw Youth_) there was a story about “a squire who rebuilt a village that had been destroyed by fire. Stinking Lizzie. How the Holy Monks killed a monk, etc.”[100] Footnote 100: From unpublished materials. On Dec. 11, 1868, Dostoevsky announced to Apollon Maikov that he had conceived the idea of a “tremendous novel. Its title is _Atheism_ (it will not be ready for two years).” The author attributed great importance to this novel. “When I have written this last novel, then I can die—I shall have expressed myself completely.” “Now I believe that I shall express the whole of myself in it,” he wrote of the same novel, in March 1869, to Madame S. A. Ivanov-Khmirov.