Stavrogin's Confession and The Plan of The Life of a Great Sinner: With Introductory and Explanatory NotesDostoyevsky, Fyodor
General
Stavrogin's Confession and The Plan of The Life of a Great Sinner: With Introductory and Explanatory Notes
Dostoyevsky, Fyodor
Dostoyevsky, Fyodor, 1821-1881 -- Translations into English; Russia -- Social life and customs -- Fiction
The hero of _The Life_ is unsociable, “uncommunicative,” keeps a great
many things to himself, is reserved and avoids people. Michael
Dostoevsky in 1838 calls his brother “reserved,” not without reason.
Fedor Dostoevsky, writing to him about the “strange and wonderful
things” in his life, says “that he will never tell any one this long
story.” In the College of Engineering, Dostoevsky, according to the
recollection of his fellow-students, usually sat or walked alone, and
kept himself apart from all. In 1854 he wrote from Semipalatinsk: “I
live a lonely life here; I hide myself from people as usual.” That
avoidance of human beings in the hero of _The Life_ was fed by his
contempt for them, by a feeling of repulsion, and sprang from “a proud,
passionate, and domineering nature.” Let us call to mind a fragment from
Dostoevsky’s letter to his brother Michael in 1847: “But, Lord, what a
multitude of disgusting, narrow-minded, grey-bearded wiseacres,
connoisseurs, Pharisees there are, who _pride themselves_ on their
experience, _i.e._ on their insignificance (for they are all made to the
same measure), who eternally preach contentment with one’s lot, belief
in something, sobriety in life, and satisfaction with one’s place,
without having realized the meaning of those words,—a satisfaction which
is like monastic flagellation and denial,—and with inexhaustible petty
spite they condemn a strong, fiery soul who cannot endure their banal
daily time-table and calendar of existence. They are scoundrels with
their farcical earthly happiness. They are scoundrels!”
The hero of _The Life_ had by nature a sharply defined sense of
personality, a consciousness of his superiority, of inner strength, of
his own uniqueness. Does not the very same tone sound in the proud and
“hyperbolical” admissions of Dostoevsky himself, when intoxicated by the
success of _Poor Folk_, his first literary venture?[110] “A crowd of new
writers has appeared. Some are my rivals. Herzen (Iskander) and
Goncharov are especially remarkable among them. They are highly praised.
But the first place is mine for the time being and, I hope, for ever.”
Footnote 110:
“I am now nearly drunk with my own fame.” (F. D.’s letter of Nov. 16,
1845.)
Public-domain text, read in full here on John Shaqi.
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