Steamships and their storyChatterton, E. Keble (Edward Keble)
History
Steamships and their story
Chatterton, E. Keble (Edward Keble)
Shipbuilding; Steamboats
examining this illustration that, unlike the case of her namesake, the
turtle decks have disappeared altogether, the reason being, as already
pointed out, that the hull is so high above the water as not to need
these. In spite of her great length, the _Oceanic_ is not so unhandy as
she might seem. Her forefoot is well cut-away, and this, in addition to
the proper employment of her twin-screws, enables her to be manœuvred
with a facility that is a little surprising.
The Cunard Company resting content with the performances of their
express steamers _Campania_ and _Lucania_, still left the _Kaiser
Wilhelm der Grosse_ to maintain the reputation for pace, and,
following the example of the White Star Line, built in the _Ivernia_
and _Saxonia_ a couple of steamships of great size but comparatively
moderate speed. The _Ivernia_ is two feet shorter than the _Majestic_,
but her gross tonnage comes out at 14,027, making her in this respect
but little inferior to the _Kaiser Wilhelm der Grosse_, though
superior to the latter in displacement tonnage. The _Ivernia’s_ speed
averages about 15¼ knots; she came into being in 1899. These vessels
belong to a class of steamship which has grown up under the title
of “intermediate,” its origin being based on the assumption that a
comfortable, economical, moderately fast type of ship would be able
to find appreciation no less than the high-powered ships. Both the
_Ivernia_ and _Saxonia_ have considerable capacities for cargo as
well as passengers, and are characterised by their exceptionally low
coal consumption. They are single-funnelled boats, and engaged on
the Liverpool-Boston route. But the _Ivernia_ was the first of the
Atlantic liners to break away from the triple-expansion system and to
be installed with the more modern quadruple-expansion type of engine.
This being the same principle as the triple-expansion pushed one stage
further, using four instead of three cylinders, we need not stop to
explain what is already clear in the mind of the reader.
[Illustration: THE “CELTIC.”
_From a Photograph. By Permission of Messrs. Ismay, Imrie & Co._]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account