“Understand it! Why, you could make a fortune on the stage.”
“A living, perhaps, if my voice will bear the continual strain. I
daresay that some time I shall drift there—for the living—not because I
like the trade or have any wish for popular success. It is a fact that
I had far rather sing alone to you here to-night, and know that you are
pleased, than be cheered by a whole opera house full of strange
people.”
“And I—oh, I cannot explain! Sing on, sing all you can, for to-morrow I
must go away.”
“Go away!” she faltered.
“Yes; I will explain to you afterwards. But please sing while I am here
to listen.”
The words struck heavy on her heart, numbing it—why, she knew not. For
a moment she felt helpless, as though she could neither sing nor play.
She did not wish him to go; she did not wish him to go. Her intellect
came to her aid. Why should he go? Heaven had given her power, and this
man could feel its weight. Would it not suffice to keep him from going?
She would try; she would play and sing as she had never done before;
sing till his heart was soft, play till his feet had no strength to
wander beyond the sound of the sweet notes her art could summon from
this instrument of strings and wood.
So again she began, and played on, and on, and on, from time to time
letting the bow fall, to sing in a flood of heavenly melody that seemed
by nature to fall from her lips, note after note, as dew or honey fall
drop by drop from the calyx of some perfect flower. How long did she
play and sing those sad, mysterious siren songs? They never knew. The
moon travelled on its appointed course, and as its beams passed away
gradually that divine musician grew dimmer to his sight. Now only the
stars threw their faint light about her, but still she played on, and
on, and on. The music swelled, it told of dead and ancient wars, “where
all day long the noise of battle rolled”; it rose shrill and high, and
in it rang the scream of the Valkyries preparing the feast of Odin. It
was low, and sad, and tender, the voice of women mourning for their
dead. It changed; it grew unearthly, spiritualised, such music as those
might use who welcome souls to their long home. Lastly, it became rich
and soft and far as the echo of a dream, and through it could be heard
sighs and the broken words of love, that slowly fell away and melted as
into the nothingness of some happy sleep.
The singer was weary; her fingers could no longer guide the bow; her
voice grew faint. For a moment, she stood still, looking in the flicker
of the fire and the pale beams of the stars like some searcher returned
from heaven to earth. Then, half fainting, down she sank upon a chair.
Public-domain text, read in full here on John Shaqi.
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